Rhythmus und Kontrast im Türkischdeutschen

Kern, Friederike

doi:10.1515/9783110296532

Cited by 4 publications

(6 citation statements)

References 0 publications

Supporting

Mentioning

Contrasting

Unclassified

Order By: Relevance

“…Auer ; Dirim and Auer ). Kern (, ) describes two types of rhythmic patterning, with the first type based on accent–isochrony, and the second type built on recurrent stress patterns and metrical syllable structure with syntactic and lexical parallelism. Both patterns show a change of vowel qualities on the phonetic level, and accent shifts on word and utterance level.…”

Section: Linguistic Features Of Turkish Germanmentioning

confidence: 99%

“…As asyndetic syntactic connections are more common in Turkish than in German and a rising–falling intonation pattern has been described as typical for such connections, the Turkish German practice of signalling contrast seems to be transfer induced (cf. Kern ).…”

Section: Linguistic Features Of Turkish Germanmentioning

confidence: 99%

“…Interactional linguistic studies so far focused on the ways speakers make use of ethnic styles in order to organise turn‐taking (Şimşek ), narratives (Kern & Selting 2006a,b; Kern , ; Selting ) and information structure (Kern & Selting 2006a,b; Selting ; Şimşek ). The constitution of rhythmic patterns and of semantic contrast has been another area of research (Kern ). All studies were based on a collection of 40 h of naturally occurring telephone and face‐to‐face conversations of young adults of Turkish and German origin.…”

Section: Empirical Studies Of Turkish Germanmentioning

confidence: 99%

“…Some studies lay more weight on explaining the linguistic features of Turkish German as language contact phenomena (cf. Şimşek ; Kern ); others concentrate on how Turkish German is used as a flexible resource to accomplish local conversational tasks (cf. Selting ), or to constitute and negotiate social identities (cf.…”

Section: Final Remarksmentioning

confidence: 99%

See 3 more Smart Citations

Turkish German

Kern

2015

Language and Linguist. Compass

Self Cite

View full text Add to dashboard Cite

Today, long-term effects of migration into Germany are shown most notably in the emergence of linguistic practices of young people, many of them second or third generation migrants, in urban areas. Turkish German describes a way of speaking that first emerged in young people's speech in multi-ethnic urban areas and was first associated with Turkish adolescents. Later, it became widely known through its appearance in films, comedies and rap songs. In contrast to earlier studies on immigrants' language in Germany (see section 1), Turkish German is not associated with imperfect acquisition but with the manner in which speakers actively construct and perform ethnic identities and other social meanings via language. Turkish German is conceptualised either as an ethnolect, or an ethnic style, implying different research traditions with focus on different aspects of linguistic descriptions. Other studies choose the term 'Kiezdeutsch' over Turkish German to emphasise the ways of speaking multiethnolectal dimension.It is the aim of this article to present different linguistic approaches to Turkish German, with a critical discussion of some of the key concepts, and to give an overview over its linguistic features and functions on the basis of relevant empirical studies on the linguistic practices among Turkish-German bilinguals.

show abstract

Section: Linguistic Features Of Turkish Germanmentioning

confidence: 99%

Section: Linguistic Features Of Turkish Germanmentioning

confidence: 99%

Section: Empirical Studies Of Turkish Germanmentioning

confidence: 99%

Section: Final Remarksmentioning

confidence: 99%

See 2 more Smart Citations

Turkish German

Kern

2015

Language and Linguist. Compass

Self Cite

View full text Add to dashboard Cite

show abstract

“…"Türken-slang" (Auer 2003), "Türkendeutsch" (Kern und Selting 2006;Kern 2013), "multiethnisches Deutsch" (Dittmar 2013) und "Kiezsprache/Kiezdeutsch" (Wiese 2006, Wiese 2009Jannedy 2010;Canoğlu 2012;Du Bois 2013;te Velde 2016). Wir werden im Folgenden den Begriff " Kiezdeutsch" verwenden (vgl.…”

unclassified

„Ich geh Kino“ oder „… ins Kino“?

Wiese¹,

Pohle²

2016

Zeitschrift Für Sprachwissenschaft

View full text Add to dashboard Cite

This paper analyses usage restrictions on such noncanonical local expressions as Ich geh Kino 'I go cinema' compared to canonical full PPs with DP complement (… ins Kino 'to the cinema'). In public discourse, bare local NPs have become emblematic for Kiezdeutsch, a new way of speaking from multiethnic urban Germany, although they also appear in informal language elsewhere. We present results from two studies investigating the use of noncanonical versus canonical options.Study 1 targets grammatical restrictions, based on a corpus of peer group conversations among adolescents. We show that noncanonical variants have the form of bare NPs with or without preposition and appear in both multilingual and monolingual speech communities, following the same syntactic and semantic patterns. While there is a quantitative advantage for the multilingual group, noncanonical variants generally constitute only a minority compared to canonical full PP [DP].Study 2 targets usage restrictions across communicative situations, based on a corpus of elicited productions by adolescents from a multilingual urban neighbourhood. Comparisons show significantly more noncanonical local expressions in informal, peer-group situations than in formal ones for both spoken and written modes.Taken together, results indicate a selective, grammatically restricted and register-bound choice of noncanonical local expressions.

show abstract

„Ein Land – eine Sprache?“

Boas

Wiese

2023

Deutsche Sprache Der Gegenwart

View full text Add to dashboard Cite

Rhythmus und Kontrast im Türkischdeutschen

Cited by 4 publications

References 0 publications

Turkish German

Turkish German

„Ich geh Kino“ oder „… ins Kino“?

„Ein Land – eine Sprache?“

Contact Info

Product

Resources

About