2014
DOI: 10.1386/jmte.7.3.279_1
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Rethinking the musical ensemble: A model for collaborative learning in higher education music technology

Abstract: Kudac (Kingston University Digital Arts Collective) is an electronic improvisation ensemble that brings staff and students together for weekly musicking with technology -incorporating resources ranging from conventional instruments, to computers, to hacked circuit boards. A central element of the ensemble from its inception has been its democratic approach -staff and students explore the musical possibilities and challenges together and gradually mould their practice through a free exchange. In this article we… Show more

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Cited by 6 publications
(4 citation statements)
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“…"Music ensemble courses are also unique when compared to other academic core subjects because of additional required class time that may be scheduled outside of the school day" (Rawlings, 2015, p. 2). Thus, only through critical reflection and dialogue can educators and learners create the conditions and circumstances in which they can search together collaboratively for more comprehensible authentic and morally appropriate ways of valuing and engaging in musical practices (Ben-Tal & Salazar, 2014;O'Neill, 2012). Thus, collaborative learning for this type of ensemble can be a solution to improve students' skill in playing musical instruments.…”
Section: 60mentioning
confidence: 99%
“…"Music ensemble courses are also unique when compared to other academic core subjects because of additional required class time that may be scheduled outside of the school day" (Rawlings, 2015, p. 2). Thus, only through critical reflection and dialogue can educators and learners create the conditions and circumstances in which they can search together collaboratively for more comprehensible authentic and morally appropriate ways of valuing and engaging in musical practices (Ben-Tal & Salazar, 2014;O'Neill, 2012). Thus, collaborative learning for this type of ensemble can be a solution to improve students' skill in playing musical instruments.…”
Section: 60mentioning
confidence: 99%
“…10 Using a democratic approach to the ensemble gives both the teacher and the students the chance to explore the possibilities as well as the challenges of the music together, promoting an open exchange of ideas. 11 This usually results in a wide array of genres and styles selected, benefiting the classroom by promoting diversity and supporting a variety of multicultural offerings. The younger or more musically inexperienced the student, the more guidance will be necessary from the educator to ensure that the repertoire selected appropriately matches the skill level of the group.…”
Section: Encouraging Curiosity Via Repertoire Selectionmentioning
confidence: 99%
“…Research supporting music-learning within collectives or ensembles is legion, asserting how collectivity can be a rewarding and fulfilling activity (Kokotsaki & Hallam, 2007), help develop belonging (Berthelot, 2017), promote collaboration (Ben-Tal & Salazar, 2014), establish common goals (Steinbeis & Koelsch, 2011) and promote a synchrony among learners (Oullier, de Guzman, Jantzen, Lagarde, & Scott Kelso, 2008). This entrainment and synchronic process has been shown to create social bonds and reciprocity (Hove & Risen, 2009; Lakin, Jefferis, Cheng, & Chartrand, 2003), and increase cooperation between individuals (Wiltermuth & Heath, 2009), and perceived group entitativity of shared unity, coherence and creative and social targets (Lakens, 2010).…”
Section: Introductionmentioning
confidence: 99%