2011
DOI: 10.1016/j.jretai.2011.09.001
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Retail Luxury Strategy: Assembling Charisma through Art and Magic

Abstract: Luxury retail strategy differs from other retail strategies not merely in distinctive formulations of product, price, distribution, and appeals to customer distinction. Instead, it increasingly stands or falls on the legitimacy of a charismatic creative director. The director offers an aesthetic brand ideology. Luxury retail draws on the principles of art and magic to assemble the charismatic persona of the creative director and to diffuse his aesthetic ideology to the brand. Moreover, luxury retail strategy e… Show more

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Cited by 325 publications
(253 citation statements)
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References 57 publications
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“…Pull factors were used to explain the expansion of luxury retailers (an example of DBR), which looked into foreign market niche opportunities to expand their unique brands (Dion and Arnould, 2011;Fionda and Moore, 2009;Nobbs et al, 2012). In contrast, Traditional Retailers are more likely to expand to foreign markets as a response to the saturation of their domestic markets (Burt and Sparks, 2002).…”
Section: Motivesmentioning
confidence: 99%
“…Pull factors were used to explain the expansion of luxury retailers (an example of DBR), which looked into foreign market niche opportunities to expand their unique brands (Dion and Arnould, 2011;Fionda and Moore, 2009;Nobbs et al, 2012). In contrast, Traditional Retailers are more likely to expand to foreign markets as a response to the saturation of their domestic markets (Burt and Sparks, 2002).…”
Section: Motivesmentioning
confidence: 99%
“…Clearly, it is public opinion that "makes the magician and creates the power he wields" (2012) on trademark law; Whitehead et al (2002) on magical practices in operating theatres; Stevens (2001) on alternative, and Farquar (1996) on Chinese medical practices; Johnson (2010) on the relation between magic, morals and health; and Hsiao (1994) on the marketization of health systems; Markus and Benjamin (1997) on information technology; Williams (1980) and McCreery (1995) on advertising; Arnould, Price and Otnes (1999) and St. James, Handelman and Taylor (2011) on marketing and consumption practices; Dion and Arnould (2011) on luxury goods; and Moeran (2015) on fashion and fashion magazines. This essay owes much to exchanges I have had over the past two years with Timothy de Waal Malefyt, with whom I am in the process of editing a book titled Magical Capitalism.…”
Section: Magical Systemsmentioning
confidence: 99%
“…Research from McKinsey and Co. supports this claim: 61% of luxury industry experts are afraid of damaging their brands when extending [Dauriz and Tochtermann, (2012), p.9]. In consequence, extending a luxury brand threatens its complex alchemy and legitimacy (Assouly, 2005) for which reason the greatest challenge is to create new products and concepts without loosing the brand's mythical aura of authenticity, uniqueness, craftsmanship and heritage (Dion and Arnould, 2011).…”
Section: Brand and Line Extension As A Means To Growth And Brand Devementioning
confidence: 99%