This article focuses on the representation of qualitative research to academic and nonacademic audiences. It argues that a broader, ethically-informed consideration of the communication of findings is required, rather than the current, audit-shaped approach, to do justice to complex (affective) data and to research participants. An important catalyst for this article is the concern that the current predominance of peer-reviewed articles may contribute, however unintentionally, to the maintenance of stigmatizing social imaginaries of groups including marginalized young people. This article draws on inter-disciplinary sources to extend Avery Gordon's work on haunting to the representation of research. It contends that research 'outputs' can 'haunt', or stay with and produce empathy in their audience, by communicating the 'seething absences' that trace the everyday effects of power affectively and by highlighting the 'complex personhood' of those affected. The possibilities of such an approach are illustrated through consideration of textual and visual representations of findings from a project that explored understandings of 'belonging' among young people in state care, and particularly a short film, co-produced with, and featuring, a participant. While 'representation' is employed here primarily in an everyday sense, this article also draws on broader debates relating to 'non', 'more than' or strategically representational approaches.