“…For instance, Spitz’s Grief transmitted the importance of ‘motherly love’ through a direct ‘appeal to the emotions’ ( Nichtenhauser, Coleman, and Ruhe, 1953 : 146): following a classic narrative line of problem, crisis, and resolution, the film contrasted disturbing close-ups of distraught institutionalized babies with joyful scenes of social play after ‘mother's return’. 9 John Bowlby differed in theoretical approach from Spitz, but A Two-Year Old Goes to Hospital similarly mobilized a strong narrative frame and emotionally charged close-ups (of a weeping and distressed girl) to provide ‘evidence’ of ‘emotional disturbances’ in a young child due to ‘separation’ from her mother ( Bowlby and Robertson, 1953 : 425; Van der Horst, Rosmalen, and Van der Veer, 2019 ; Van der Horst and Van der Veer, 2009 ). In Fries’ films, these techniques of narrative and visual dramatization were used only sparsely, if at all.…”