“…Some review both analysis and composition by computer with AI methods (Roads, 1985), while others discuss algorithmic composition from a point of view related to music theory and artistic considerations (Collins, 2009), or from the personal perspective of a composer (Langston, 1989;Dobrian, 1993;Pope, 1995;Maurer, 1999). Some of them provide an in depth and comprehensive view of a specific technique for algorithmic composition, as Anders and Miranda (2011) do for constraint programming, as Ames (1989) does for Markov chains, or as Santos et al (2000) do for evolutionary techniques, while some others are specialized in the comparison between paradigms for computational research on music, as Toiviainen (2000).…”