Rekontekstualisasi Estetika Hindu â€˜Rasaâ€™ Dalam Desain Arsitektural

Noorwatha, I Kadek Dwi

doi:10.31091/mudra.v33i2.351

Cited by 3 publications

(2 citation statements)

References 1 publication

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“…The Legong Dedari dance is a beautiful expression of art and religion. A sense of beauty is a psychological and emotional experience that, according to aesthetic theory, results in a transcendental psychological element (Noorwatha, 2018). This dance is maintained by the Hindu community in Banjar Abian Nangka Kaja, East Denpasar as part of their religious practices.…”

Section: Ecological Meaningmentioning

confidence: 99%

Meaning of Legong Dedari Performance in Banjar Abian Nangka Kaja, Kesiman Petilan, East Denpasar

Suryani

Made

Basset

2023

MJSB

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The Legong Dedari is one of the sacred dances performed by the Balinese Hindu community at Banjar Abian Nangka Kaja, Kesiman Petilan Village, East Denpasar. Despite the fact that this dance is frequently performed for ceremonial offerings, no one has studied the Legong Dedari dance. This article aims to discuss the form and meaning of the Legong Dedari dance. The data sources for this research were the Legong Dedari dance performance itself, the dancers, musicians, traditional leaders, village elders, and the local community, who were selected based on purposive sampling and snowball techniques. All the data that has been collected through observation, interviews, and literature studies was analyzed descriptively and qualitatively using structural-functional theory and aesthetic theory. The results showed that the Legong Dedari dance, which is a wali dance (sacred dance), is presented in the form of a loose dance. This can be seen in the manner of presentation, fashion make-up, performance structure, and musical accompaniment. The Legong Dedari dance, which is danced by three female dancers who use delicate princess make-up, is accompanied by Gamelan Gong Kebyar. The community in Banjar Abian Nangka performs this Legong Dedari dance during piodalan ceremonies in the local area, along with Ratu Ayu's sasuhunan on Tumpek Wayang, Tumpek Uduh, and when a prolonged disaster occurs. The local community has continued to preserve the Legong Dedari Dance because the dance contains religious meaning, aesthetic meaning, social meaning, & ecological meaning.

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Section: Ecological Meaningmentioning

confidence: 99%

Meaning of Legong Dedari Performance in Banjar Abian Nangka Kaja, Kesiman Petilan, East Denpasar

Suryani

Made

Basset

2023

MJSB

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“…Kajang Tutuan dalam konsep bhawa maka terdapat beberapa rasa dalam bagian sangarasa yang terkandung didalamnya. Konsep "rasa" akan menyebabkan terbentuknya suatu pengalaman dari sisi psikologis dan emosional yaitu pengalaman keindahan yang akan mengantarkan seorang individu mencapai sisi psikologis transendental (Noorwatha, 2018), beberapa "rasa" dalam kajang tutuan yaitu srnggara rasa dan santa rasa. Srnggara rasa yaitu rasa cinta dan kasih, dan santa rasa yaitu rasa damai (Yasa, 2007).…”

Section: Teori Rasa Dalam Sundaram Kajang Tutuanunclassified

Konsepsi Agama dan Seni Rupa dalam Rurub Kajang Tutuan (Kajian Estetika Hindu)

Gunada¹

2021

MUDRA

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Penelitian ini bertujuan menggali dan mengkaji keberadaan kajang sebagai bagian dari upakara pada prosesi ngaben di Bali. Kajang suatu kain yang berisikan aksara-aksara suci dan simbol-simbol yang memiliki makna filosofis keagamaan menurut Hindu. Sistem sosial kehidupan masyarakat Bali didominasi oleh sistem kewangsaan dan dalam lingkup sistem tersebut terdapat klan-klan atau dalam isitilah Bali yaitu trah. Kajang Tutuan merupakan suatu bentuk kajang yang digunakan dalam prosesi ngaben warga Tutuan yang bukan hanya sekedar sarana pelengkap upacara namun terkandung simbol dan fungsi yang cukup penting yaitu identitas trah Tutuan itu sendiri. Keberadaan kajang Tutuan tidak hanya sebagai bagian dari sarana keagamaan dalam upacara ngaben namun terkandung konsepsi-konsepsi seni rupa dan agama Hindu yang saling berhubungan didalamnya. Sehingga konsepsi agama dan seni dalam kajang Tutuan bertemu dalam satu titik keindahan pada kajian estetika Hindu. Dari hasil penelitian ditemukan bahwa konsepsi agama dan seni dalam kajang Tutuan terbagi dalam tiga hal yaitu satyam bahwa terdapat makna-makna filosofis dalam kajang Tutuan, Siwam bahwa dalam proses pembuatan dan penggunaan kajang terdapat ritual-ritual suci, dan sundaram bahwa terdapat nilai-nilai keindahan dalam kajang Tutuan. Sehingga penelitian ini dapat berkontribusi serta diharapkan berdampak dalam memberikan sumbangsih pengetahuan dalam penelitian dan dapat menjadi suatu pustaka penting dalam kajian terhadap sarana upacara dalam agama Hindu. Kata kunci: Kajang, Estetika, Hindu, Tutuan

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A Javanese Dance is A Representation of Rasa in Javanese Culture

Indah Sulastuti,

Sunardi,

Efrida

et al. 2024

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This paper presents the concept of rasa in Javanese culture embodied in Javanese dance. The ethnographic approach in the Ethnochoreology discipline used as a step in data collection was in-depth interviews with actors (dancers, choreographers) in a society with a Javanese cultural scope. The observation step in the data collection effort was carried out using the involved observation model or participant observer, completed by data collection through literature and relevant documents. The theoretical perspective and concept used as the basis for thinking in discussing the case study of the Ela-ela dance in this paper is the concept of rasa, as put forward by Paul Stange. Namely, that rasa is a "tool" or "means" of perception, or a "function" of "whisper of heart or intuition", and rasa in Javanese dance as expressed by Katarina Indah Sulastuti, that rasa in Javanese dance is an element that is integrated with the senses in the body in a comprehensive manner which involves: the sensibility of heart vibrations, sharpness of intuition, imagination, bodily intelligence, and understanding of Javanese culture. Javanese dance, in the example of the case study, the Bedhaya Ela-ela dance is a representation of the rasa in Javanese culture, namely that the Bedhaya Ela-ela dance is a form of dance that substantially depicts the life of the Javanese people and the culture of rasa which involves issues of ethics, aesthetics, and religion in Javanese culture.

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Rekontekstualisasi Estetika Hindu â€˜Rasaâ€™ Dalam Desain Arsitektural

Cited by 3 publications

References 1 publication

Meaning of Legong Dedari Performance in Banjar Abian Nangka Kaja, Kesiman Petilan, East Denpasar

Meaning of Legong Dedari Performance in Banjar Abian Nangka Kaja, Kesiman Petilan, East Denpasar

Konsepsi Agama dan Seni Rupa dalam Rurub Kajang Tutuan (Kajian Estetika Hindu)

A Javanese Dance is A Representation of Rasa in Javanese Culture

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