2021
DOI: 10.1080/15502724.2020.1854779
|View full text |Cite
|
Sign up to set email alerts
|

Regional Differences in the Perception of Daylit Scenes across Europe Using Virtual Reality. Part I: Effects of Window Size

Abstract: published version features the final layout of the paper including the volume, issue and page numbers. Link to publication General rightsCopyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights.• Users may download and print one copy of any publication from the public portal for the purpose of … Show more

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
4
1

Citation Types

0
11
0

Year Published

2021
2021
2024
2024

Publication Types

Select...
5
1
1

Relationship

0
7

Authors

Journals

citations
Cited by 17 publications
(11 citation statements)
references
References 59 publications
0
11
0
Order By: Relevance
“…For example, Schielke 32 concluded similar subjective lighting impressions amongst participants from Europe, America, Middle East and Asia by comparing subjective responses to the online survey from small sample sizes (19–26 participants from each region). Moscoso 33 reported significant differences caused by socio-environmental contexts in terms of subjective evaluations of window sizes, whereas Chamilothori 34 found no significant differences caused by socio-environmental contexts in terms of subjective impressions of façade and daylighting patterns. Although these studies focused on lighting impressions by using different research methods (online survey or laboratory experiments), the influence of socio-environmental contexts on subjective lighting assessments is inconclusive.…”
Section: Discussionmentioning
confidence: 89%
See 2 more Smart Citations
“…For example, Schielke 32 concluded similar subjective lighting impressions amongst participants from Europe, America, Middle East and Asia by comparing subjective responses to the online survey from small sample sizes (19–26 participants from each region). Moscoso 33 reported significant differences caused by socio-environmental contexts in terms of subjective evaluations of window sizes, whereas Chamilothori 34 found no significant differences caused by socio-environmental contexts in terms of subjective impressions of façade and daylighting patterns. Although these studies focused on lighting impressions by using different research methods (online survey or laboratory experiments), the influence of socio-environmental contexts on subjective lighting assessments is inconclusive.…”
Section: Discussionmentioning
confidence: 89%
“…In contrast, Schielke 32 concluded similar subjective lighting impressions among participants from Europe, America, Middle East and Asia through an online survey, whose ratings of lighting impressions for a salesroom were, respectively, strongly correlated. Moscoso 33 reported significant differences in pleasant and calm evaluations between participants in Greece and Norway, as well as between Greece and Switzerland in terms of window sizes. However, the perceptual impressions of façade and daylighting patterns were similar amongst Norway, Switzerland and Greece.…”
Section: Introductionmentioning
confidence: 98%
See 1 more Smart Citation
“…Window properties include window dimension [10], window number [11], window shape [12] and aperture design (or façade design) [13]. Sky types include overcast skies and clear skies [10,[14][15][16][17][18], varying in sunlight existence and luminance distributions. Interior sunlight patterns and daylighting compositions are composed by a combination of multiple design parameters, defined as natural a lightscape by Wu [19].…”
Section: Introductionmentioning
confidence: 99%
“…Interior sunlight patterns and daylighting compositions are composed by a combination of multiple design parameters, defined as natural a lightscape by Wu [19]. Different interior sunlight patterns and daylighting compositions trigger various subjective lighting impressions and mood states [10,[14][15][16][17]20], which requires further exploration.…”
Section: Introductionmentioning
confidence: 99%