Abstract:Purpose -This paper examines the Records in Contexts proposal of a conceptual model (RiC-CM) from the International Council on Archives' (ICA) archival description and proposes an OWL ontology for its implementation in the semantic web.Design/methodology/approach -The various elements of the model are studied and are related to earlier norms in order to understand their structure and the modeling of the ontology.
Findings -The analysis reveals the integrating nature of RiC-CM and the possibilities it offers fo… Show more
“…Additionally, they promote the integration of metadata from numerous sources and the establishment of semantic links between archived materials and other relevant entities, such as people, organisations and events (Dow, 2009; Pacheco et al , 2023). In general, archival metadata standards aim to describe consistent rules for four object categories: archival resources, archival institutions, archival activities and persons or groups related to archival resources (Llanes-Padrón and Pastor-Sánchez, 2017). Several metadata standards have been developed and implemented in the field of record management, including EAD (Pitti, 1999), encoded archival context for corporate bodies, persons and families (CPF) (Wisser, 2011), international standard archival description general (Shepherd and Smith, 2000) and the international standard archival authority record for CPF (Thibodeau, 1995).…”
Purpose
Despite ongoing research into archival metadata standards, digital archives are unable to effectively represent records in their appropriate contexts. This study aims to propose a knowledge graph that depicts the diverse relationships between heterogeneous digital archive entities.
Design/methodology/approach
This study introduces and describes a method for applying knowledge graphs to digital archives in a step-by-step manner. It examines archival metadata standards, such as Records in Context Ontology (RiC-O), for characterising digital records; explains the process of data refinement, enrichment and reconciliation with examples; and demonstrates the use of knowledge graphs constructed using semantic queries.
Findings
This study introduced the 97imf.kr archive as a knowledge graph, enabling meaningful exploration of relationships within the archive’s records. This approach facilitated comprehensive record descriptions about different record entities. Applying archival ontologies with general-purpose vocabularies to digital records was advised to enhance metadata coherence and semantic search.
Originality/value
Most digital archives serviced in Korea are limited in the proper use of archival metadata standards. The contribution of this study is to propose a practical application of knowledge graph technology for linking and exploring digital records. This study details the process of collecting raw data on archives, data preprocessing and data enrichment, and demonstrates how to build a knowledge graph connected to external data. In particular, the knowledge graph of RiC-O vocabulary, Wikidata and Schema.org vocabulary and the semantic query using it can be applied to supplement keyword search in conventional digital archives.
“…Additionally, they promote the integration of metadata from numerous sources and the establishment of semantic links between archived materials and other relevant entities, such as people, organisations and events (Dow, 2009; Pacheco et al , 2023). In general, archival metadata standards aim to describe consistent rules for four object categories: archival resources, archival institutions, archival activities and persons or groups related to archival resources (Llanes-Padrón and Pastor-Sánchez, 2017). Several metadata standards have been developed and implemented in the field of record management, including EAD (Pitti, 1999), encoded archival context for corporate bodies, persons and families (CPF) (Wisser, 2011), international standard archival description general (Shepherd and Smith, 2000) and the international standard archival authority record for CPF (Thibodeau, 1995).…”
Purpose
Despite ongoing research into archival metadata standards, digital archives are unable to effectively represent records in their appropriate contexts. This study aims to propose a knowledge graph that depicts the diverse relationships between heterogeneous digital archive entities.
Design/methodology/approach
This study introduces and describes a method for applying knowledge graphs to digital archives in a step-by-step manner. It examines archival metadata standards, such as Records in Context Ontology (RiC-O), for characterising digital records; explains the process of data refinement, enrichment and reconciliation with examples; and demonstrates the use of knowledge graphs constructed using semantic queries.
Findings
This study introduced the 97imf.kr archive as a knowledge graph, enabling meaningful exploration of relationships within the archive’s records. This approach facilitated comprehensive record descriptions about different record entities. Applying archival ontologies with general-purpose vocabularies to digital records was advised to enhance metadata coherence and semantic search.
Originality/value
Most digital archives serviced in Korea are limited in the proper use of archival metadata standards. The contribution of this study is to propose a practical application of knowledge graph technology for linking and exploring digital records. This study details the process of collecting raw data on archives, data preprocessing and data enrichment, and demonstrates how to build a knowledge graph connected to external data. In particular, the knowledge graph of RiC-O vocabulary, Wikidata and Schema.org vocabulary and the semantic query using it can be applied to supplement keyword search in conventional digital archives.
“…Records in Contexts (RiC) is an archival description standard proposed by the International Council on Archives (ICA) [13] that began its development in 2012 with a group of specialists from thirteen countries. This archival standard intends to implement the International Conceptual Model of Archival Description RiC-CM, in order to integrate the four existing archival standards: ISAD(G) (General International Standard Archival Description), ISAAR(CPF) (International Standard Archival Authority Records-Corporate Bodies, Persons, and Families), ISDF (International Standard Description of Functions), and ISDIAH (International Standard Description of Institutions with Archival Holdings) [16]. The RiC archival description standard is divided into two parts, the abstract conceptual model and the ontology.…”
In this paper we present solutions to visualize and interact with linked data in historical archives considering three different scenarios - search, individual record view and creation of relationships. The created solutions were designed using non-functional mockups and were based on the CIDOC-CRM model, a model created and applied in the museums community liable to be extended to other cultural heritage institutions, being our solutions an application of this model to archives. A sample of 20 archival professionals was selected to evaluate the elements included in the proposed solutions. The evaluation sessions consisted in structured interviews supported by an introductory video and a survey. The think-aloud protocol was applied during the sessions. We conducted both a quantitative and qualitative analysis to the collected answers. From this analysis, we conclude that the majority of the participants showed great receptivity to the solutions presented and recognized many benefits in the application of linked data. Our contributions also include an exploratory study of some existing linked data systems, giving particular attention to their visualization and interaction modes.
“…Currently under development is an authoritative ontology that defines the relationships that are relevant for archival records. [27] Archives are therefore latecomers to a development that is already advanced in other areas. Based on RDF, the Semantic Web is not only designed to overcome the limitations of institutional data silos but has also, in the spirit of comprehensive interoperability, reconfigured the relationship between types of institutionsspecifically galleries, libraries, archives, and museums (GLAM)-that have thus far operated mainly in isolation from one another.…”
Section: Thinking About Archives As a Networkmentioning
The subject of this article is the situation of archives of art institutions with regard to their public accessibility and usability. After some introductory remarks on the importance of an archive policy for a democratic culture and the problem of terminology when talking about archives, I will take a look at the project Folding the Exhibition. This research project is one of the first in the European context to deal with the situation of institutional archives holdings in the field of art from a practical perspective. This will be complemented by a look at the specific practice in North America, where archivists of galleries and art museums are much more integrated in the archival professional discourse than their European counterparts. As a result, they are also better equipped to meet the challenges of digitization—the subject of the last part of this contribution. In the case of the archives, these challenges are not limited to questions of storing and mediating digital objects but bring to the fore the question of how to organize the historical transmission of processes that no longer leave a “paper trail” in the literal sense. In this respect, the difficulties associated with digitization are also not primarily technical, but rather organizational in nature. The possibility of mastering these difficulties is primarily dependent on the availability of appropriate resources and trained personnel. In the case of art institutions, this is usually the biggest problem.
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