Radio and Everyday Life

Winocur, Rosalía

doi:10.1177/1527476405276472

Cited by 12 publications

(3 citation statements)

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“…avtomobile) (Winocur, 2005), vstopa podkast v intimo posameznikovega osebnega prostora. Sienkiewicz in Jaramillo (2019) ga označujeta kot medij ušesnih slušalk, te pa omogočajo individualno poslušanje in ohranjanje intime tega početja tudi ob posameznikovi mobilnosti.…”

Section: Podobnosti In Razlike Med (Linearnim) Radiem In Podkastiunclassified

Vprašalni Nagovori in Druge Besedilotvorne Strategije v Intervjujih Na Radiu in v Podkastu: Sredstvo Žanra Ali Znak Konverzacionalizacije?

Verovnik¹

2023

TIP

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The article analyses the frequency of interview addresses, as typologically defined by Korošec (1998), in four radio interviews and four interview podcasts featuring the same guests. In addition, some other textual strategies, such as supporting signals and role reversals, are analysed. The journalistic interview is a highly institutionalised form of one-way dialogue, which has indeed been proven in radio interviews to a considerable extent. In podcasts, however, due to the different production and listening practices, speech usually displays more characteristics of everyday discourse, as was displayed in the choices of interview addresses and other textual strategies in the analysed podcasts. Keywords: interview, interview address, radio, podcast, everyday speech

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Section: Podobnosti In Razlike Med (Linearnim) Radiem In Podkastiunclassified

Vprašalni Nagovori in Druge Besedilotvorne Strategije v Intervjujih Na Radiu in v Podkastu: Sredstvo Žanra Ali Znak Konverzacionalizacije?

Verovnik¹

2023

TIP

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“…Contemporary discourses on music and song are especially indebted to studies of media in the region. The intersection between communications (as media studies are conceived in Latin America) and communicative practices is also noteworthy (e.g., Winocur 2003Winocur , 2005Winocur , 2009. The relations among audiovisual media, the popular, orality, and memory were central to the rise of debates on the nature of (post)modernity in the late 1980s [Martín Barbero 1993(1987, García Canclini 1995(1990].…”

Section: Orality Writing Listening: Regional Frameworkmentioning

confidence: 99%

Music, Language, Aurality: Latin American and Caribbean Resoundings

Minks

Gautier

2021

Annu. Rev. Anthropol.

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Recent work in anthropology has attended to the imbrication of music, sound, listening, and language in research on, and from, Latin America and the Caribbean, as part of a broader movement across regions. In this article, we argue that these relations have their own intellectual genealogies in Latin America and the Caribbean, which have often been neglected in studies written about the region. We focus on recent theorization of aurality—the immediate and mediated practices of listening that construct perceptions of nature, bodies, voices, and technologies. We provide an overview of regional discourses on the interrelations of voice, orality, and writing, and then we discuss the aural turn in four areas: race; migration; socialization and youth cultures; and epistemologies of history, memory, and heritage. We put different bodies of discourse into dialogue as a means of charting a path toward decolonial (inter)disciplinary transformations that are built on other histories, vocalities, and modes of knowledge.

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“…The importance of creating aural media, thus, lies in creating an "acoustic landscape" that generates an intimacy with the audience (McHugh 2012, 188). One of the essential aspects that separate audio media from other types of media is its disconnection from a specific time and place, and as Winocur (2005) explains: "With the exception of the radio and the telephone, consumption of other mass media (television, video, and computer) is associated with a time and space segmentation that suggests a moment and a place for each activity of the domestic routine" (320). With the invention of the Internet, radio became even more independent of any time and space segmentation, as it branched out and became accessible through digital platforms.…”

Section: Podcastingmentioning

confidence: 99%

When Podcast Met True Crime

Clausen

Sikjær

2021

LEV

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This MA thesis examines the connection between the rise of the podcasting medium and the rise of the true crime genre. The ways in which true crime and podcasting have influenced each other reflect the dynamic relationship between media, genre, technology, and audience behavior, which is ultimately useful in better understanding contemporary American popular culture. The true crime genre helped popularize the podcasting medium, and today, true crime podcasts hold a significant place within popular culture. Together, they went from niche to mainstream, and we might refer to this process as genre-medium coevolution. Throughout this thesis, it will become evident that neither genre nor medium is static, and whereas the two might have benefitted from each other at an early stage of development, they might not continue to.

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Radio and Everyday Life

Cited by 12 publications

References 0 publications

Vprašalni Nagovori in Druge Besedilotvorne Strategije v Intervjujih Na Radiu in v Podkastu: Sredstvo Žanra Ali Znak Konverzacionalizacije?

Vprašalni Nagovori in Druge Besedilotvorne Strategije v Intervjujih Na Radiu in v Podkastu: Sredstvo Žanra Ali Znak Konverzacionalizacije?

Music, Language, Aurality: Latin American and Caribbean Resoundings

When Podcast Met True Crime

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