2021
DOI: 10.1111/caim.12458
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Radical circles and visionary innovation: Angry birds and the transformation of video games

Abstract: Radical circle is an innovation approach, alternative in comparison to innovation teams and innovation communities, superior to these when detailed managerial guidance is not readily available because of high uncertainty, high ambiguity, or both. Through an empirical case analysis of Angry Birds, the video game, we strengthen earlier radical‐circle research findings on how a common sense of malaise with a current situation and dominant visions sometimes a small group of creative individuals meaningfully togeth… Show more

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Cited by 1 publication
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References 103 publications
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“…Additionally, Dell'Era et al (2018) found that a technological gatekeeper of cultural production , who has ‘the ability to “sense” and scout the emerging phenomena in the cultural production area’ (p. 393), collects information about important changes in the sociocultural model and brings it to an organization. Other recent studies underline that there is democratic dialogue with a radical circle , which is a group of outside interpreters (Ainamo et al, 2021; Verganti & Shani, 2016). The vision is created as a result of a networked process with external cultural actors (Verganti, 2008), as ‘they feed a continuous debate about what is or is not meaningful’ (Verganti & Öberg, 2013, p. 86).…”
Section: Literature Review and Hypothesesmentioning
confidence: 99%
“…Additionally, Dell'Era et al (2018) found that a technological gatekeeper of cultural production , who has ‘the ability to “sense” and scout the emerging phenomena in the cultural production area’ (p. 393), collects information about important changes in the sociocultural model and brings it to an organization. Other recent studies underline that there is democratic dialogue with a radical circle , which is a group of outside interpreters (Ainamo et al, 2021; Verganti & Shani, 2016). The vision is created as a result of a networked process with external cultural actors (Verganti, 2008), as ‘they feed a continuous debate about what is or is not meaningful’ (Verganti & Öberg, 2013, p. 86).…”
Section: Literature Review and Hypothesesmentioning
confidence: 99%