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Quilez, Inigo

doi:10.1145/2933540.2933549

Cited by 5 publications

(2 citation statements)

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“…VR painting is often used to create animated works, showcasing unique features distinct from traditional animations and overcoming the limitations experienced when viewing 2D works. An early representative work is "Dear Angelica" created by illustrator Wesley Allsbrook [58], featuring vivid colors and delicate brushwork. Utilizing the compositional methods of virtual reality space, it presents an astonishing visual effect and won the Best Virtual Reality Animation Experience Award at the 2015 Sundance Film Festival.…”

Section: Vr Painting Application Scenariosmentioning

confidence: 99%

Virtual reality painting: A structured review of a decade of innovation

Shi,

Lu,

Liu

et al. 2024

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<p>Various studies have widely utilized virtual reality (VR) in painting creation. However, there has been few conclusive studies on VR painting. The present systematic literature review describes the current state of knowledge and practices using VR in painting and provides guidance for painters and scholars focusing on human computer interaction design by critically appraising and summarizing the existing research. It also outlines a wide range of results yielded by quantitative, qualitative and mixed-method studies to investigate potential benefits, difficulties, and effectiveness of VR painting. Overall, 44 studies published from 2013 until 2023 were analysed, with 16 articles introduced the hardware technology and interaction mode of VR painting, 17 articles introduced the beautification method of VR painting, and 11 articles focused on the application of VR painting in different fields. Implications for practice and research are discussed in detail, as the hardware selection, interaction, and physical simulation in VR painting scenes.<strong></strong></p>

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Section: Vr Painting Application Scenariosmentioning

confidence: 99%

Virtual reality painting: A structured review of a decade of innovation

Shi,

Lu,

Liu

et al. 2024

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“…Additionally, the research presented in this thesis focuses on the interactive stylization of 3D animations, for which an artist cannot manually draw each image. Stroke-space watercolor synthesis could only be directly used if strokes were placed in 3D space [Quilez, 2016;Schmid et al, 2011], deformed as 3D objects and stylized. Unfortunately, this approach brings additional challenges, as it requires custom assets, deformers and an unconventional rendering pipeline.…”

Section: Stroke-space Approachesmentioning

confidence: 99%

Real-time watercolor rendering of 3D objects and animation with enhanced control

Montesdeoca¹

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First, I would like to acknowledge everyone whom I have had the pleasure to share quality time with. Without every single contribution that each one of you has made, I would probably not be writing this. I would like to thank both of my supervisors, Prof. Seah Hock Soon and Assoc. Prof. Hans-Martin Rall for their support and guidance. An immense gratitude goes also to my mentor, Asst. Prof. Davide Benvenuti, for insisting on bringing me back to Singapore. Without him, I would probably be freezing in a Nordic country doing something completely unrelated to what I am doing now. I was lucky to count on the support from all three of you, motivating me and giving me the liberty to do exactly what I have always wanted to do. My endless gratitude goes to my 'adoptive' French supervisors Joëlle Thollot, Pierre Bénard and Romain Vergne. I have looked up to you since I started this endeavour and it has been a true pleasure and an unreal learning experience working together with you. I would like to also thank my partners-in-research, Amir Semmo and Alexandre Blerón, whom I have learned a lot from. A special thanks goes to Henriette Peter, for her invaluable company, support, encouragement and care. Without her affection, I would probably be in a very different place right now. To my family, I literally owe you my life. You have molded my personality and removed all boundaries for me to make it this far. Thank you very much for your limitless support and love. I would also like to express my gratitude to the Singapore International Graduate Award (SINGA), the Interdisciplinary Graduate School (IGS) at the Nanyang Technological University (NTU), Singapore, the Multi-pAtform Game Innovation Centre (MAGIC) and the Maverick team at Inria Grenoble Rhône-Alpes for supporting me financially and academically during my studies.

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