“…Product display research has mainly focused on how “static” display features influence product judgment and evaluation (Patrick 2016; Sample, Hagtvedt, and Brasel 2020). Yet none of these “static” factors, such as display location and position (Cai, Shen, and Hui 2012; Chae and Hoegg 2013; Chae, Li, and Zhu 2013; Cian, Krishna, and Schwarz 2015; Deng and Kahn 2009; Janiszewski 1990; Sundar and Noseworthy 2014), display orientation (Deng et al 2016; Elder and Krishna 2012; Peracchio and Meyers-Levy 2005; Van Kerckhove and Pandelaere 2018), number of units (Madzharov and Block 2010; Vanbergen, Irmak, and Sevilla 2020), camera angle (Meyers-Levy and Peracchio 1992; Yang, Zhang, and Peracchio 2010), color (Hagtvedt and Brasel 2017; Lee at al. 2014, 2017), contrast (Huang et al 2019), density (Su, Wan, and Jiang 2019), shape (Chandon and Ordabayeva 2009; Chen et al 2019; Folkes and Matta 2004; Jiang, Su, and Zhu 2019; Raghubir and Krishna 1999; Sevilla and Kahn 2014; Wansink and Van Ittersum 2003; Yang and Raghubir 2005), realism (Kim, Choi, and Wakslak 2019), and visual concealment (Sevilla and Meyer 2020), is uniquely related to animated product movements in video ads.…”