2019
DOI: 10.1177/2053951719853316
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Producing and projecting data: Aesthetic practices of government data portals

Abstract: We develop the concept of ‘aesthetic practices’ to capture the work needed for population data to be disseminated via government data portals. Specifically, we look at the Census Hub of the European Statistical System and the Danish Ministry of Education’s Data Warehouse. These portals form part of open government data initiatives, which we understand as governing technologies. We argue that to function as such, aesthetic practices are required so that data produced at dispersed sites can be brought into relat… Show more

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Cited by 35 publications
(23 citation statements)
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References 39 publications
(45 reference statements)
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“…This is not the individualized self‐determination of MyData, but the self‐determinism of Indigenous Data Sovereignty activists. How people are ‘peopled’ through data has been the subject of research for some time, possible through the collection of official statistics and ‘data’ (Cakici, Ruppert & Scheel 2020; Ratner and Ruppert 2019). By looking to data activist movements surrounding Indigenous Data Sovereignty in this closing section, I explore how data comes to be redefined in the service of projects seeking to reshape how knowledge is made on, and into, a body politic.…”
Section: Data Sovereignty Data Aggregationmentioning
confidence: 99%
“…This is not the individualized self‐determination of MyData, but the self‐determinism of Indigenous Data Sovereignty activists. How people are ‘peopled’ through data has been the subject of research for some time, possible through the collection of official statistics and ‘data’ (Cakici, Ruppert & Scheel 2020; Ratner and Ruppert 2019). By looking to data activist movements surrounding Indigenous Data Sovereignty in this closing section, I explore how data comes to be redefined in the service of projects seeking to reshape how knowledge is made on, and into, a body politic.…”
Section: Data Sovereignty Data Aggregationmentioning
confidence: 99%
“…The practice of ethnographies and data practices differs from canonical ethnographic imaginaries [32]. Indeed, inquiring about the results of platforms based on data performance and actual user engagement, as well as having more access to those platforms for users more and more than traditional learning practices, requires a mobile, flexible and consistent -changing researcher presence as it requires care and attention due to being fragile [32,34] Analyzing user topologies of data processes therefore refers to the general interest in how…”
Section: Usermentioning
confidence: 99%
“…My usage of "art" within a sociotechnical milieu parallels that of Luhmann's (Luhmann and Roberts 1985) within the social: "Whether literature or theatre, plastic arts or music -all are relevant as long as social communication treats the object (by whatever criteria) as a work of art" (p. 4). In speaking to the assertion that art shares the fate of society (p. 6), Ratner and Ruppert's (2019) work questions the status of algorithms as technical objects by stressing the need to attend to aesthetic practices that would illustrate the possibilities presented by algorithmic normativities. What they mean by this is that data itself is aestheticized (through practices such as data visualization) at sites where it is projected/dispersed, such as a data portal.…”
Section: Resolving the Problem Of Algorithmic Dissonancementioning
confidence: 99%