Postmodern, Feminist and Postcolonial Currents in Contemporary Japanese Culture

Murakami, Fuminobu

doi:10.4324/9780203004111

Cited by 6 publications

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“…Quanto a esse aspecto, Fuminobu Murakami (MURAKAMI, 2005) utiliza explicitamente a teoria de Michel Foucault (FOUCAULT, 1999) sobre a disciplina e a criação de corpos dóceis para explanar a problemática vivida pela sociedade japonesa. Fuminobu Murakami diz que, para formar uma identidade única e própria, os japoneses enfatizaram as características que os diferenciavam dos outros, mas deixaram de lado a construção e a autoconsciência do indivíduo em si.…”

Section: Nagai Kafûunclassified

A representação do feminino: a construção identitária da mulher japonesa moderna

Isotani¹

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Section: Nagai Kafûunclassified

A representação do feminino: a construção identitária da mulher japonesa moderna

Isotani¹

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Yoshimoto Banana

Ophüls-Kashima¹

2020

Kindlers Literatur Lexikon (KLL)

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Japan’s New Left and New Wave. An Ideology’s Perspective as an Alternative to That of National Cinema

Vargas

2018

Arts

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Starting from the perspective that national cinema is not a neutral concept, but rather a film expression with ideological implications, in this article I will argue that what should be analysed in films is not what connects them to certain nations, but with certain ideologies. Rather than claiming the national nature of a film, it is more accurate to identify for instance elements of a national ideology underlying the film. It can be more enriching to analyse different film trends that are based on their connections with different ideologies, thus stressing their political nature, rather than highlighting cultural or geographical features in order to determine the supposedly natural outline of national cinemas. From this point of view, I consider the Japanese New Wave cinema of the 1960s and early 1970s to be a reflection of Japan's coetaneous New Left ideology. In order to illustrate this political reading of the Japanese New Wave, I focus on the analysis of a paradigmatic film: Eros + Massacre (Erosu purasu Gyakusatsu 1969), directed by Yoshida Kijū.

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Postmodern, Feminist and Postcolonial Currents in Contemporary Japanese Culture

Cited by 6 publications

References 0 publications

A representação do feminino: a construção identitária da mulher japonesa moderna

A representação do feminino: a construção identitária da mulher japonesa moderna

Yoshimoto Banana

Japan’s New Left and New Wave. An Ideology’s Perspective as an Alternative to That of National Cinema

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