2012
DOI: 10.1017/cbo9781139003377
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Plato and the Traditions of Ancient Literature

Abstract: Exploring both how Plato engaged with existing literary forms and how later literature then created 'classics' out of some of Plato's richest works, this book includes chapters on such subjects as rewritings of the Apology and re-imaginings of Socrates' defence, Plato's high style and the criticisms it attracted, and how Petronius and Apuleius threaded Plato into their wonderfully comic texts. The scene for these case studies is set through a thorough examination of how the tradition constructed the relationsh… Show more

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Cited by 114 publications
(3 citation statements)
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“…35, 4 on the Etna). 3Hunter (2012);Worman (2015). 4 On water as a metapoetic metaphor in ancient literary criticism, seeAsper (1997), 109-120 andHunter (2009), 159.…”
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confidence: 99%
“…35, 4 on the Etna). 3Hunter (2012);Worman (2015). 4 On water as a metapoetic metaphor in ancient literary criticism, seeAsper (1997), 109-120 andHunter (2009), 159.…”
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confidence: 99%
“…Even though much has been made by the commentators out of these puzzling Homeric remarks, Koziak reasonably suggests that the best way to interpret them is by remembering that a philosophical split between reason and emotion is simply nonexistent in Homer's time (2000, 1077–78). Hunter notes that “Platonic psychology is such a short step away here,” and laments that later commentators of Homer often found it difficult to resist the temptation to invoke at this point Plato's distinction between reason, spirit and appetite (, 64).…”
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confidence: 99%
“… Dodds, with good reason, interprets the voice of Athena as the voice of reason [ phronesis ] within Achilles (, 14–15), which fits well with the Aristotelian requirement of channeling the power of θυμός by λόγος (1117a8). This “psychological” view is challenged by Pulleyn (, 176–77), Kirk (, 45–49) and Hunter (, 64–67), who argue for the more traditional “external agency” interpretation.…”
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confidence: 99%