2020
DOI: 10.1016/j.aia.2020.10.001
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Plating and Surface Treatments on Ancient Metalwork

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Cited by 17 publications
(7 citation statements)
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“…Among the pieces studied here, the identification of a new example of the use of fire gilding (torc MAC-3245) stands out. This technique is based on the propensity of mercury to amalgamate with gold, forming a paste that is applied to the surface of the metal to be gilded and subsequently heated to a moderate temperature (around 250-350º), causing the partial evaporation of mercury; the resulting porous surface is finished by burnishing [70,77,[83][84][85]. It went unnoticed for years in studies on Castro-culture goldwork, but in recent years it has been increasingly documented, both in torcs [77] and in hair adornments [78] or ornamental overlays [30].…”
Section: Some Interpretative Questionsmentioning
confidence: 99%
“…Among the pieces studied here, the identification of a new example of the use of fire gilding (torc MAC-3245) stands out. This technique is based on the propensity of mercury to amalgamate with gold, forming a paste that is applied to the surface of the metal to be gilded and subsequently heated to a moderate temperature (around 250-350º), causing the partial evaporation of mercury; the resulting porous surface is finished by burnishing [70,77,[83][84][85]. It went unnoticed for years in studies on Castro-culture goldwork, but in recent years it has been increasingly documented, both in torcs [77] and in hair adornments [78] or ornamental overlays [30].…”
Section: Some Interpretative Questionsmentioning
confidence: 99%
“…It is important to note that it is difficult to ascertain by eye if an artifact was gilded by this method because other gilding methods result in a similar appearance (for the naked eye), necessitating chemical and microscopic analysis to ascertain the used method [3] . Still, it is established that this method was extensively used worldwide [36] and well‐established in the Middle Ages (i. e., armor garnitures, weapons, and so on) [37] . An Au gilded surface is shown in Figure 3a together with the corresponding concentration profile in Figure 3b, signifying that the gilded layer retains some mercury and that the Au layer is limited in thickness to a few μm [3] .…”
Section: A Brief Historymentioning
confidence: 99%
“…Giumlia-Mair (2020, 4) outlined the main methods of gilding in Antiquity, which include using a layer of what she terms ‘gesso’ beneath the gold. The method of gilding found on all types of wreaths studied, though not all the wreaths, involved applying a thin layer of gold leaf (which is thinner than gold foil) above a layer of coating (the term ‘gesso’ is not used here since the layer was often not a true gesso, which is hydrated calcium sulphate).…”
Section: Gilding Techniquementioning
confidence: 99%
“…Another method of gilding referred to by Giumlia-Mair (2020, 5) as used in Antiquity is mercury gilding, though in the author's view it is unclear whether it was used in the Eastern Mediterranean during the period under study 28 . No evidence of mercury was found when berries, a circlet and leaves were analysed (see Table 1), whereas some trace would have remained had mercury been used (Northover and Anheuser 2000, 114).…”
Section: Gilding Techniquementioning
confidence: 99%