“…Historians, art historians, and literary critics each mapped local engagement with international currents in modernity and vernacular expressions of the modern. During the first flush of the twenty‐first century, these scholars gave us Dance Hall and Picture Palace : Sydney's Romance with Modernity (Matthews, ), The Spectacular Modern Woman (Conor, ), Impact of the Modern: Vernacular Modernities in Australia (Dixon & Kelly, ), Modern Times : The Untold Story of Modernism in Australia (Goad et al, ), Photography, Early Cinema and Colonial Modernity (Dixon, ), and Almost Always Modern : Australian Print Cultures and Modernity (Carter, ), as well as a swathe of articles (Beilharz, ; Carter, ; Kuttainen et al, ; Levi, ; McKenzie, ). Taken together, this scholarship established that Sydney was not ‘the last station on the line, a backwater ten years behind Europe and America but rather ‘a busy port of call in the ceaseless international ebb and flow of commerce and ideas that underpin cosmopolitan modernity (Matthews, , 8).…”