Making Friends of the Nations: Australian Interwar Magazines and Middlebrow Orientalism in the Pacific

Abstract

As travel began to massify in the aftermath of the Great War when passenger ships still regularly stopped at ports of call, and as Australia developed a sub-imperial relationship to its near Melanesian neighbors in Papua and New Guinea, the Pacific and its islands loomed large in Australian consciousness and print culture. This article employs Christina Klein's concept of "middlebrow orientalism" to examine how Australia's quality magazines, MAN and The BP Magazine, reflected an "expansive material and symbolic investment in Asia and the Pacific" (2003: 11) between the two world wars. While development of a consumerist, leisure relationship with the region is in evidence in these magazines that undoubtedly assume the superiority of White Australia, we argue they also promote diversity, inclusiveness, and an emerging maturity in outlook that conveyed the way in which Australians began to understand themselves as Pacific citizens wishing to "make friends of the nations.

The British (and International?) Music Society: Australian Identity and Musical Internationalism in Interwar Sydney

“…108 In the artsand music especiallythe interwar period is sometimes characterized as Australia's 'dullest' or 'driest'; however, much recent scholarship has demonstrated that it was indeed 'cosmopolitan, vibrant, and modernizing'. 109 While the same anti-internationalist ideas that characterized the WAP also led to censorship of imported 'obscene' and 'subversive' literature, hindering the dissemination of European modernism, there remained 'signs of a wider cultural life', from touring international artists, to the influence of European refugees, and by the 1930s commercial sponsorship of modernist art. 110 In music, the BIMS was just one organization engaging with the international.…”