2019
DOI: 10.1016/j.culher.2018.11.010
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Pigment palette study of the XIX century plafond painting by Raman spectroscopy

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Cited by 31 publications
(17 citation statements)
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“…Detection of Cu and Cl was caused by a coverage of small particles of green pigment. Vibration at 1051 cm −1 can be attribute to the absorption of lead white [33][34][35] (Fig. 3-white).…”
Section: Microscopic Observation Of Pigmentsmentioning
confidence: 97%
“…Detection of Cu and Cl was caused by a coverage of small particles of green pigment. Vibration at 1051 cm −1 can be attribute to the absorption of lead white [33][34][35] (Fig. 3-white).…”
Section: Microscopic Observation Of Pigmentsmentioning
confidence: 97%
“…The samples of M4 were analyzed by micro-Raman. There were two noticeable Raman peaks at 417 and 1052 cm −1 , which corresponds to reported characteristic Raman peaks of lead-white (2PbCO 3 •Pb(OH) 2 ).The peak at 1052 cm −1 was the complete symmetric vibration of ν 1 , and at peak around 165, 417 cm −1 were the Pb-O band vibration [19].…”
Section: White Pigmentmentioning
confidence: 60%
“…For azurite pigment, the bands found in the spectral interval 0-600 cm −1 , were attributed to the Cu-O band vibration. the bands found in the spectral interval the 600-1400 cm −1 belongs to the carbonate group vibration [19]. At near 1095 cm −1 band was caused by the symmetric ν 1 CO 3 2− vibration of azurite [20].…”
Section: Blue Pigmentmentioning
confidence: 91%
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“…Комбинации этих методов, а также дополнение их другими структурными методами, например, рентгеновскими (рентгеновская дифракция, рентгенофлуоресцентный анализ, метод энергодисперсионной рентгеновской спектроскопии и др.) позволяют существенно расширить возможности при исследовании объектов культурного наследия различного состава и размера, от миниатюр и различного рода изображений [5][6][7][8] до стеклянных и керамических предметов [9][10][11][12], а также продуктов коррозии металлических скульптур [13][14][15][16]. Кроме того, использование комплексного подхода позволяет получить информацию о структуре и составе культурных объектов, состояние которых еще в прошлом веке считалось безнадежно утраченным [17].…”
Section: Introductionunclassified