2013
DOI: 10.1080/13602365.2013.822014
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Picturing modern Ankara: New Turkey in Western imagination

Abstract: Abstract:With the proclamation of the Turkish Republic, in October 1923, Ankara became the laboratory and showcase of the nation-building project led by Mustafa Kemal Atatürk.

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Cited by 6 publications
(7 citation statements)
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“…Raising a similar point, Shaun O'Dwyer writes that it is no wonder that Dewey admonished his readers “to accept the current, ‘natural course’ of Turkey's modernization—a ‘movement in the direction of progress and light’ with which Americans could identify” (2011, 394). As a “modernist laboratory” (Deriu , 507), the Ankara of Dewey's narrative “was placed at the centre of a moral geography whose coordinates were assimilated to familiar ones” (504).…”
Section: Dewey's Utopianismmentioning
confidence: 99%
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“…Raising a similar point, Shaun O'Dwyer writes that it is no wonder that Dewey admonished his readers “to accept the current, ‘natural course’ of Turkey's modernization—a ‘movement in the direction of progress and light’ with which Americans could identify” (2011, 394). As a “modernist laboratory” (Deriu , 507), the Ankara of Dewey's narrative “was placed at the centre of a moral geography whose coordinates were assimilated to familiar ones” (504).…”
Section: Dewey's Utopianismmentioning
confidence: 99%
“…This contradiction reflects the emotional and cultural affinity Dewey felt, not with the subaltern, but with the imperial rulers and the preservation of imperial territory. After all, “early‐Republican Ankara drew comparisons with another western epic: that of the American frontier”; “Dewey's commentary was not a mere endorsement made by a policy advisor, but rather a passionate, personal plea that reflected the philosopher's own identity” (Deriu , 504). What is more, in my view, such affinities validate the renewal of imperial existence not only for Dewey but also for most “progressivists” across the utopianized spatiality of the (post)colonial era.…”
Section: Tragedymentioning
confidence: 99%
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“…Deriu's study picturing the capital with regards to European observers claims that "the emergence of Ankara to the international scene, in the early 1920s, should in fact be considered a re-emergence" through the modern architecture, public art and town planning (2013a: 498). The European visitors of Ankara found the city as "a capital in the desert" with its main avenue, wide sidewalks, gardens and pavements lit up by electrical lampposts, and modernist buildings discarded from any Orientalist imagery (Deriu 2013a;. Turhanoglu (2010) argues that the main feature of this period was that the state was not only symbolized by buildings, but also characterized by space.…”
Section: Introductionmentioning
confidence: 99%