2012
DOI: 10.1080/0966369x.2011.625082
|View full text |Cite
|
Sign up to set email alerts
|

Picturing inclusive places in segregated spaces: a participatory photo project conducted by migrant women in Sweden

Abstract: This article uses participatory photography to explore contradictory processes of inclusion and exclusion in contemporary Sweden. Our aim is to analyse the social relations that shape the kinds of places recently arrived migrant women experience as 'safe', as well as their everyday experiences of inclusion and exclusion. The use of photography -wherein the women choose how, when and where to shoot photoshelps us highlight what otherwise would not be immediately evident with regard to the experience of such pla… Show more

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
1
1
1
1

Citation Types

0
8
0

Year Published

2016
2016
2021
2021

Publication Types

Select...
7
1

Relationship

0
8

Authors

Journals

citations
Cited by 17 publications
(8 citation statements)
references
References 17 publications
(14 reference statements)
0
8
0
Order By: Relevance
“…Similarly, Bijoux and Myers [ 55 ] combined solicited diaries, photography, semi-structured interviews, and mapping to document differences in women’s behavior, sense of attachment, connectedness, and well-being in relation to their place of residence in Auckland, New Zealand. Giritli-Nygren and Schmauch [ 63 ] used photographs as a mechanism to explore the experiences of 14 immigrant women in Sweden, highlighting their social relationships and feelings of inclusion or exclusion. Finally, in the Caprivi region of Namibia, Thomas [ 5 ] reviewed solicited diaries and photography to explore the emotional well-being of people living with HIV/AIDS.…”
Section: Methodsmentioning
confidence: 99%
“…Similarly, Bijoux and Myers [ 55 ] combined solicited diaries, photography, semi-structured interviews, and mapping to document differences in women’s behavior, sense of attachment, connectedness, and well-being in relation to their place of residence in Auckland, New Zealand. Giritli-Nygren and Schmauch [ 63 ] used photographs as a mechanism to explore the experiences of 14 immigrant women in Sweden, highlighting their social relationships and feelings of inclusion or exclusion. Finally, in the Caprivi region of Namibia, Thomas [ 5 ] reviewed solicited diaries and photography to explore the emotional well-being of people living with HIV/AIDS.…”
Section: Methodsmentioning
confidence: 99%
“…In terms of capturing the gendered impacts of the post-displacement rebuilding of lives, taking photos gave women a tool for showing the aspects of their lives they found most difficult or valued most (Pink 2007). These were often related to seemingly trivial, everyday activities that are normally taken for granted in interviews or research on conflict (Sontag 2008;Giritli-Nygren and Schmauch 2012;Rose 2013). Paying attention to these everyday experiences is in line with a long-standing tradition in feminist research.…”
Section: Visualising Gendered Understandings Of the Effect Of Displacmentioning
confidence: 86%
“…This corresponds with feminist concerns about minimising the harm that research can do and the power imbalances between researcher and participants. Furthermore, the visual can give insight into aspects of everyday life which are often neglected in interviews and thus provide a more holistic and visually represented understanding of displacement and its effects from the standpoint of survivors (McIntyre 2003;Giritli-Nygren and Schmauch 2012). The article further contributes to this debate by adding a gendered lens.…”
Section: Introductionmentioning
confidence: 99%
“…Participants play an active part in designing the research, enriching it with local knowledge. Scholars argue that by situating the research in relation to participants' everyday, lived environments, they can become researchers and advocates for their own circumstances and take ownership of the project (Bell 2015;Giritli-Nygren & Schmauch, 2012;Harper, 2002;Kolb, 2008;McIntyre, 2003;Wang & Burris, 1997), opening up spaces for discussing imagined futures (Giritli-Nygren & Schmauch, 2012). A common argument for using visual methodologies, then, is that they are more than simply a different way to generate research data, instead creating new and different knowledges compared to those generated by more traditional research methods such as stand-alone interviews.…”
Section: Participatory Photography and Photovoice Approachesmentioning
confidence: 99%