Philosophy as ‘Artwork:’ Revisiting Nietzsche's Idea of a ‘Philosophy’ from the Point of View of the ‘Artist’

Maftei, Stefan-Sebastian

doi:10.1016/j.sbspro.2013.01.012

Cited by 2 publications

(1 citation statement)

References 2 publications

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“…Indeed, taken to its very broadest perspective, it can be argued that the project has existed from the start of recorded history and encompasses all efforts to systematize rational aspects of human thought within themselves (Drucker, 1991;Gabbay and Woods, 2004), to externalize such systems (Dowlen, 2009) and, conversely, to make individuals and societies more mechanical in their operation (Melton, 1988). It then becomes both plausible and necessary to talk about the history of machines of the intellect (Maftei, 2013), society as machine (Rigney, 2001), sociocybernetics (Geyer, 2002) and so forth.…”

Section: The Risks Of Ai Reconsideredmentioning

confidence: 99%

Constructivism and its risks in artificial intelligence

Lea¹

2020

Prometheus

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The research and development of artificial intelligence (AI) technologies involve choices that extend well beyond the search for narrow engineering solutions to problems. The label ‘constructivism’ is used to capture this larger realm of social choice. Drawing on the history of AI, a distinction is made between limited artificial narrow intelligence (ANI) and artificial general intelligence (AGI). Both forms, the paper argues, carry risks. Following this history, the paper outlines how different approaches to rationality have led to different ‘tribes’ of AI. No universal model of rationality is available to AI engineers. Choice is everywhere. The paper then moves to an exploration of the links between AI and chess. It argues that chess, far from being an objective measure of rationality and intelligence, reveals the subjective biases and risks involved in the pursuit of AI. The paper moves on to provides examples of various unstable and potentially dangerous race heats taking place in AI, including those among various AI research groups (public and private), among corporations and among states. The final section draws together the various risks of AI.

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Section: The Risks Of Ai Reconsideredmentioning

confidence: 99%

Constructivism and its risks in artificial intelligence

Lea¹

2020

Prometheus

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Ethnic and Cultural Aspects in the Development of Kazakh Theatres during the Independence Period: The Problems of Human Existence

Mayemirov¹,

Khalykov²,

Нурпеис³

2015

FEJF

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Abstract:The article gives a detailed description of folklore motifs that became examples for performances in the Kazakh theatre. The interrelation of myth and reality, used as the nature of time, is represented by an existential communicational human existence in the ethno-cultural discourse. Here the conditions of existence for the heroes of both the reality and myth are the same. The comparison of the heroes' lifestyle with Kazakh folklore gives a new interpretation quality to the director's conception and dramaturgy. The heroes' destinies under the totalitarian era of Stalin, Khrushchev, and Brezhnev are imbued with personification of folklore myths and legends. The examples given in the study are related to the cultural-philosophical paradigms of modernity and the values of current ethno-cultural transformations. Thus, the inclusion of folklore into the theatre becomes an influential art trend, in which art seeks to give a comprehensive and vivid real-life picture of a person who fights for his/her own destiny and justice. The Gabit Musrepov Kazakh Academic Theatre for Children and Youth solves these problems, using the comparative method of folk stories, encouraging the viewer to understand and appreciate the philosophical meaning of human life and existence. The study uses the ratio of diachronic and synchronic presentation of texts and artefacts as regards current events from the perspective of folklore studies, theatre studies, and art history, as well as from the cultural-philosophical viewpoint.Keywords: acting, dramaturgy, folklore, folk wisdom, performance, philosophical sense THE VALUABLE MEANING OF THE CULTURAL-PHILOSOPHICAL PARADIGM OF MODERN ARTArt offers an ideal opportunity to explore the constantly mutually forming human-world system in the form of a regulated model that really exists. Art is a mirror in which a person sees him/herself as reflected in the environment, to say more exactly, sees his/her image in the worldview. The authors suggest understanding the worldview in the most general terms, as an orderly knowledge http://www.folklore.ee/folklore/vol62/kazakh.pdf

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Philosophy as ‘Artwork:’ Revisiting Nietzsche's Idea of a ‘Philosophy’ from the Point of View of the ‘Artist’

Cited by 2 publications

References 2 publications

Constructivism and its risks in artificial intelligence

Constructivism and its risks in artificial intelligence

Ethnic and Cultural Aspects in the Development of Kazakh Theatres during the Independence Period: The Problems of Human Existence

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