Perspectives on violence against women in Thai film: The Eternity

Ruangnapakul, Napat; Yusof, Norhafezah; Hamid, Norsiah Abdul

doi:10.1016/j.kjss.2018.07.005

Cited by 4 publications

(4 citation statements)

References 15 publications

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“…In the Qing court-themed costume drama, Yuhe Xia is the epitome of a women who were oppressed by multiple difficulties in the feudal era [7]. The love relationship between Emperor Kangxi and Yuhe Xia has been unequal from beginning to end.…”

Section: Oppressed Women In Multiple Predicamentsmentioning

confidence: 99%

An Analysis of The Cultural Connotation of The Invisible Female Characters in Chinese Costume TV Dramas

Wang

2024

EHSS

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Chinese costume TV series is a kind of film and television work that carries historical imagination, there is a type of female characters who have never appeared positively but run through the whole play, which not only promotes the development of the storyline as clue characters but also carry the unique meaning closely related to Chinese history and culture. This paper takes the three Chinese phenomenal costume film and television works The Legend of Zhen Huan, Princess Pearl, and Nirvana in Fire as examples and explores the strategies of invisible female characters from multiple perspectives by analyzing the role characteristics of invisible women and excavating the common methods used by creators in creating invisible female characters. Through the study of this paper, it is concluded that the invisible female characters in Chinese court dramas are the epitome of women who were oppressed, disciplined, and demonized by patriarchy under the feudal imperial system. Chinese costume TV dramas reflect the multiple plights of Chinese women in the feudal era to a certain extent.

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Section: Oppressed Women In Multiple Predicamentsmentioning

confidence: 99%

An Analysis of The Cultural Connotation of The Invisible Female Characters in Chinese Costume TV Dramas

Wang

2024

EHSS

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“…Social violence in cinema is also exposed to animated films, as Prayogo, et al study show that there are five categories of violence, namely, violence as an effort to protect, violence as part of instinct, violence as an expression of disappointment, violence that occurs unwittingly, and violence that is carried out legally. Besides, violence is also based on radical feminism and utilitarian liberalism (Petra et al, 2016).…”

Section: Theoretical Frameworkmentioning

confidence: 99%

“…Violence instantly emerges as rape, slap, beating, and humiliation, while structural violence includes inequality, primitive society, and power structures. Cultural violence is embedded as an acceptance of power, patriarchy, and marital bonds (Ruangnapakul, et al, 2018).…”

Section: Theoretical Frameworkmentioning

confidence: 99%

Teen and Social Violence in Cinema: Construction of Teen Identity in Film Dilan 1990

Komalawati¹

2020

J. Komun. Ikat. Sarj. Komun. Indones.

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Dilan 1990 is a teenage film with the highest number of viewers in 2018, which reached 6,315,664. The success of Dilan 1990 is inseparable from the culture industry's strength, which can mobilize public interest through reliable publication and marketing. The success of the film Dilan carrying the characters of Dilan and Milea as teen idols raises concerns about the identity of adolescents who are laden with violent symbols. This is because the content and theme of the story in the 1990s were constructed with Dilan's character, who liked to fight. For this reason, this study aims to analyze the construction of adolescent identity and social violence in the 1990 Dilan film. This research method uses a qualitative approach with an interpretative paradigm. Data Analysis Method uses narrative analysis of film subtitles with the Vladimir Propp analysis model. The unit of analysis in this study is the film Dilan 1990 (2018). Data collection techniques are conducted with text analysis, literature study, observation, and documents. This study concludes that social violence among adolescents is constructed in the cinema through adolescents' identity, both verbal violence and physical violence in the school environment and outside of school. Young men carry out social violence to young women who describe gender inequality, which refers to social violence due to cultural factors.

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“…One of the benefits of film is directly related to education to the community on the challenge to oppose violence against women conducted by research by Ruangnapakul, et al, 2018;Bernard-Hoverstad, 2013 stated that film is a good medium for education against violence against women. In this context the film supports SDG goal number 3 namely gender equality.…”

Section: Introductionmentioning

confidence: 99%

The Formulation of Production House Strategy and Competitiveness

Dewanti

Handayani

Mehra

et al. 2018

iccd

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The aim of this study related community development is a lesson learn that to know how the internal factors and external factors impacted on Production House management. PT. Putra Kusuma Pictures Indonesia which provides services to in-house productions, by using IFE Matrix, EFE Matrix and CPM Matrix for researching Production house' business strategy in the input phase, which will then be followed by the matching stage which uses SWOT Matrix, IE Matrix and Grand Strategy Matrix. The alternative analysis for Production house was completed using the Blue Ocean Strategy, which has surpassed the Four Action Framework (Eliminate-Reduce-Raise-Create), and the three good strategies which consist of focus, divergence and a good motto. Techniques used in data collection involve direct interview with the head of the company. This study in competitive strategy shows that the best strategy that should be applied by the company is through product development, while the alternative strategy that could be developed as a leading product is through social culture themed films.

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Perspectives on violence against women in Thai film: The Eternity

Cited by 4 publications

References 15 publications

An Analysis of The Cultural Connotation of The Invisible Female Characters in Chinese Costume TV Dramas

An Analysis of The Cultural Connotation of The Invisible Female Characters in Chinese Costume TV Dramas

Teen and Social Violence in Cinema: Construction of Teen Identity in Film Dilan 1990

The Formulation of Production House Strategy and Competitiveness

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