“…Predominantly, researchers have here been engaged in defining and dissecting the history and birth of this rather novel area of globalized penality (Andreas and Nadelmann, 2006;Boister, 2003;Bowling and Sheptycki, 2012;Christensen and Levi, 2017;Findlay, 2013;McDaniel et al, 2019;Marmo and Chazal, 2016). Others have provided insightful legal and postcolonial critiques of its (dis)function, predispositions and consequences (Ba, 2017;Bergsmo et al, 2020;Bosworth, 2017;Cassese, 2012;Comaroff and Comaroff, 2008;Hönke and Müller, 2016;Lohne, 2017Lohne, , 2019Lohne, , 2020Mullins and Rothe, 2008;Tallgren, 2014;Vasiliev, 2020). Bearing in mind the regular theatrics of transnational criminal justice-of which this special issue introduction has included a few-it is nonetheless surprising that so relatively little attention has been paid to its sundry performative aspects.…”