Peintures de Périgueux. Édifice de la rue des Bouquets ou la Domus de Vésone, IV

Barbet, Alix; Bujard, Sophie; Dagand, Patricia; Lefèvre, Jean‐François; Maleyre, Isabelle; Amadei, B.; Lemoigne, Lucie

doi:10.3406/aquit.2008.913

Cited by 4 publications

(2 citation statements)

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“…The presence of the thyrsi with pine cones and vine leaves on the edges of the panel represents an element that was highly developed in the production of the Third Style, typical of the Bacchic repertoire. Although we do not observe a similar arrangement for the vine leaves in other examples, we do see it with the pine cones in the cubiculum (5) of the House of M. Lucretius Fronto (V 4, a) [27] and in the Vésone domus in Perigueux [21].…”

Section: Compositional and Ornamental Studymentioning

confidence: 49%

“…Occ., 42) [20] in Pompeii. In the provinces, it is documented at Cave Pinel in Périgueux [16], in the Vésone domus in the same town [21] and in the room (II) of the domus on Rue Paul-Deviolaine in Soissons [16]. In Hispania, we can include the cases of Can Terrés [22], the room (H. 27) of Domus 3, Insula 1 in Bilbilis [17], those of Celsa [23] or that of Del Ángel Street in Cartagena [24].…”

Section: Compositional and Ornamental Studymentioning

confidence: 96%

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Archaeological and Archaeometric Insights into a Roman Wall Painting Assemblage from the Blanes Dump (Mérida)

Castillo Alcántara,

Cosano Hidalgo,

Fernández Díaz

et al. 2024

Heritage

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In this paper we describe the archaeological and archaeometric analysis of a Third Pompeian Style assemblage from the Blanes dump in Mérida (Spain). Based on the pottery context, the material would have been part of the decoration of a public or private space remodelled towards the end of the 1st century AD. Several samples from to the middle area of the assemblage, including panels, inter-panels and a frieze, were selected and studied using X-ray diffraction (XRD), X-ray fluorescence (XRF), Raman, gas chromatography and petrographic analysis. The results revealed the use of hematite, cinnabar, minium and goethite in different panels, as well as goethite, Egyptian blue, calcite, glauconite and carbon for the decorative motifs. They allowed us to define the painting techniques used and how they have affected the degradation of the pigments.

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Section: Compositional and Ornamental Studymentioning

confidence: 49%