“…DST has been described as: A participatory digital methodology (Benjamin-Thomas et al, 2019), an innovative participatory method (Lal, Donnelly, & Shin, 2015) a participatory media genre (Alexandra, 2015) a participatory visual methodology (PVM) (O'Donovan et al, 2019), and an arts-based research method (de Jager, Fogarty, Tewson, Boydell, & Lenette, 2017;Rieger et al, 2018). Furthermore DST has been described as a participatory arts research method and as a model for co-production or co-design (de Jager et al, 2017;De Vecchi, Kenny, Dickson-Swift, & Kidd, 2016;Guse et al, 2013;Hardy & Sumner, 2018;Lal et al, 2015) This section considers the place of DST as situated alongside other established research methods that use the art of photography and video with participatory, transformative and emancipatory intent.…”