2019
DOI: 10.1525/jmw.2019.1.4.11
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Paratextuality, Materiality, and Corporeality in Medieval Chinese Religions

Abstract: In medieval China, talismans (fu) and sacred diagrams (tu) were ubiquitous elements in religious texts. Since they were composed of divine illegible esoteric patterns, meaning was not produced by the markings talismans and diagrams bore; it was, rather, displaced onto the objects themselves, whether they were two-dimensionally represented in scriptures and ritual manuals or externalized and materialized onto physical supports. In this respect, the objecthood and palpable materiality of talismans and diagrams m… Show more

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Cited by 3 publications
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“…For instance, by analyzing the paratexts in Daoist texts, Elena Valussi has delineated the evolution of "female alchemy" (女丹 nüdan) (Valussi 2008). Similarly, through meticulous investigation on the abundant talismans and diagrams in Daoist scriptures, Dominic Steavu has revealed that such paratexts are not merely key tools for reading and understanding the texts, but also central elements in the practice and experiential aspects of religious rituals (Steavu 2019). Such research effectively demonstrates the active role of paratexts in the construction of textual meaning.…”
Section: Introductionmentioning
confidence: 98%
“…For instance, by analyzing the paratexts in Daoist texts, Elena Valussi has delineated the evolution of "female alchemy" (女丹 nüdan) (Valussi 2008). Similarly, through meticulous investigation on the abundant talismans and diagrams in Daoist scriptures, Dominic Steavu has revealed that such paratexts are not merely key tools for reading and understanding the texts, but also central elements in the practice and experiential aspects of religious rituals (Steavu 2019). Such research effectively demonstrates the active role of paratexts in the construction of textual meaning.…”
Section: Introductionmentioning
confidence: 98%