Multisensory Packaging 2018
DOI: 10.1007/978-3-319-94977-2_2
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Packaging Colour and Its Multiple Roles

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Cited by 15 publications
(20 citation statements)
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“…In fact, colour is probably the single most widely studied sensory attribute of pharmaceuticals and their packaging (though this hasn't always been the case; see Buckalew & Ross, 1981;Hussain, 1972;Lasagna, 1955). (Note that in other product categories, it has also been suggested that packaging colour is by far the most important single sensory cue influencing consumer behaviour; Spence & Velasco, 2019). Over the last 60 years or so, evidence of the placebo effect (e.g., Bensing & Verheul, 2010;Humphrey, 2002;Moerman & Jonas, 2002;Shapiro, 1970) specifically linked to the colour of medication has sometimes been reported.…”
Section: Colour-based Placebo Effectsmentioning
confidence: 99%
See 1 more Smart Citation
“…In fact, colour is probably the single most widely studied sensory attribute of pharmaceuticals and their packaging (though this hasn't always been the case; see Buckalew & Ross, 1981;Hussain, 1972;Lasagna, 1955). (Note that in other product categories, it has also been suggested that packaging colour is by far the most important single sensory cue influencing consumer behaviour; Spence & Velasco, 2019). Over the last 60 years or so, evidence of the placebo effect (e.g., Bensing & Verheul, 2010;Humphrey, 2002;Moerman & Jonas, 2002;Shapiro, 1970) specifically linked to the colour of medication has sometimes been reported.…”
Section: Colour-based Placebo Effectsmentioning
confidence: 99%
“…There are various arguments as to why the additional packaging costs in the case of such bespoke solutions might actually be money well spent, at least in the case of brand name drugs. To date, packaging colour has been the most widely studied aspect of packaging design (Kauppinen-Räisänen & Luomala, 2010;Spence & Velasco, 2019), though published studies specifically in the area of pharmaceutical packaging are still surprisingly few and far between. When contemplating multisensory packaging design for pharmaceuticals it is interesting to ask whether certain shapes attract our attention, or are certain colours more fundamentally associated with meaning, beyond what can be explained by the associative learning account (Riley et al, 1982)?…”
Section: Interim Summarymentioning
confidence: 99%
“…On the other hand, this finding may also indicate that consumers can disentangle the image from the sound while shopping in e-commerce, thus not framing the multisensory experience of the image of a can, when accompanied by a beer bottle pouring sound, as semantically incongruent. In other words, in this digital NAB experience, the bottle pouring sound may have acted as an standalone soundscape rather than as a part of the audiovisual experience associated with the product’s image (see [ 27 , 42 ]).…”
Section: Discussionmentioning
confidence: 99%
“…It has recently been argued that visual material perception represents something of a neglected area in the field of research on packaging design [40,44]. Indeed, the contrast in the amount of research is especially noticeable when compared with the vast literature that has been published over the years on the topic of packaging colour (see [69,70]; see also [26,71,72]). Beyond the hue of the product packaging, some researchers have also assessed the different meanings that consumers associate with light versus dark colours in the context of food products [73][74][75].…”
Section: What Is Wrong With Glossy/shiny Packaging?mentioning
confidence: 99%