Ornament and Decor as Semiotic Elements

Muratayev*, Kurman Kaliyevich; Nekhvyadovich, Larisa I.; Turganbayev, Eric Suleymenovich; Turganbayeva, Shakhizada Sainbekovna

doi:10.35940/ijrte.c6637.098319

Cited by 3 publications

(4 citation statements)

References 1 publication

Supporting

Mentioning

Contrasting

Order By: Relevance

“…Arslanova [3], T.M. Teplovodskaya and E.F. Kuznetsova [4], A.A. Tkachev [5], E. Childs-Johnson [6], A.N. Podushkin [7], W. Zhongjie and L. Hui'E [8].…”

Section: Literature Reviewmentioning

confidence: 99%

“…Researchers' appeals to the Rigveda are justified as there is evidence that it was created by the Aryan nomadic tribes, which came to India from the Eurasian steppes in the Bronze Age. In the Hymn of Creation, heat, as the main quality of fire, is given the role of the basic principle of being [6]. It sets the scheme for transforming external, sensory knowledge into mental forms.…”

Section: A Semantics Of Firementioning

confidence: 99%

“…Immortality can only be guaranteed by the comprehension of the "everlasting light", pervading the entire universe and serving as its basis. For example, in one of the hymns of the Rigveda devoted to Soma (a solar deity), the everlasting light is mentioned [6,9,10]. The immortality of the everlasting light is associated with the order of the indestructible world as the main quality of the universe.…”

Section: A Semantics Of Firementioning

confidence: 99%

“…Attempts to explain the secrets of the constant renewal of nature gave rise to complex ideas. Among them is the aforementioned understanding of the nature of fire, its eschatological function, as well as early interpretations of life, found, for example, in the hymn devoted to the funeral pyre [6].…”

Section: B Components Of the Pattern Of Decoration On Andronovo Potterymentioning

confidence: 99%

See 3 more Smart Citations

Ornament and Decor as Semiotic Elements

Muratayev*¹,

Nekhvyadovich²,

Turganbayev³

et al. 2019

IJRTE

Self Cite

View full text Add to dashboard Cite

This article considers the worldview, embodied in the decoration on Bronze Age pottery, created by the tribes of the Andronovo culture period (2nd millennium BC) in the territory of Kazakhstan. The Andronovo culture dates back to the Chalcolithic period when communities of the geometric pottery cultures lived here. Pottery was on the one hand utilitarian, and on the other sacral in use, combining elements of sculpture (the shape of a vessel) and painting (decorating an object). In the pro-cess of historical development, in accordance with the regularities of immanent formation and under the influence of external factors, several features of the decoration components emerged. The article contributes to the study of the problems, which remain relevant and require understanding. The opportunities for interpretation of pottery as a source and the use of different analysis methods allow for extracting new ethnological and art history information.

show abstract

“…Arslanova [3], T.M. Teplovodskaya and E.F. Kuznetsova [4], A.A. Tkachev [5], E. Childs-Johnson [6], A.N. Podushkin [7], W. Zhongjie and L. Hui'E [8].…”

Section: Literature Reviewmentioning

confidence: 99%

Section: A Semantics Of Firementioning

confidence: 99%

Section: A Semantics Of Firementioning

confidence: 99%

Section: B Components Of the Pattern Of Decoration On Andronovo Potterymentioning

confidence: 99%

See 2 more Smart Citations

Ornament and Decor as Semiotic Elements

Muratayev*¹,

Nekhvyadovich²,

Turganbayev³

et al. 2019

IJRTE

Self Cite

View full text Add to dashboard Cite

show abstract

Prerequisites for the emergence of the artistic movement of Tobaism in the fine arts of Kazakhstan

Turganbayeva

Omarova²,

Nurbay³

et al. 2022

Innovaciencia

View full text Add to dashboard Cite

Introduction: Based on the archetypal approach the authors of the article consider the preconditions for the emergence of one of the forms of ancient religion totemism and its reflection in the current tobaism at the present stage in the fine arts of Kazakhstan. The authors show that the development of totemism in the process of historical dynamics lines up in a sequential chain: the origin of religion - a complex of beliefs and rituals - totemism - religious and social system - remnants of totemism preserved in modern religions - transformations of totems images in modern art. Describes the features of artistic imagery of the paintings of the artist Kozhagulov Tokkozhi, dedicated to totem animals. Materials and Methods: This methodology implies a deep knowledge of the history of totemism, the study of its ancient origins based on the principle of meaningful continuity of cultural and historical experience. Results and Discussion We are talking about the recreation of the cult of totems as an experience of reproduction of ethno-cultural identity in modern conditions. Totemism is analyzed as a religious-social system in the space of modern culture, introduced into it based on a special methodology of recreation. Conclusions: The authors conclude that the artistic current of tobaism reflects the core of the spiritually forming creative method of the artist, in which beliefs and myths of our distant ancestors have found a reality, reflecting the system of spiritual, aesthetic and artistic values of the Kazakh ethnos. To substantiate the features of the emergence of a new artistic movement Tobaism.

show abstract

Междисциплинарность Как Компетенция В Дизайн Образовании И Основа Творческого Подхода В Решении Проектных Задач

Мазина,

Камзина,

Жаркумбаева

et al. 2023

Междисциплинарность Как Двигатель Научного Прогресса: Сборник Статей Международной Научной Конференции (Санкт-Петербург, Май 20

View full text Add to dashboard Cite

В статье рассматривается понятие концептуализм - как метод дизайна. Концепция выступает как предвидение, способность рассуждать, философствовать. Она формирует авторские эстетические ориентиры и предпочтения в проектном творчестве, помогает сформировать индивидуальный почерк дизайнера. Работа с информацией определяет умение находить верный контекст рассуждений, помогает определять логику эмоциональных и художественных представлений о будущем объекте (форме), раскрывает авторскую идею, обосновывает широту кругозора и интеллектуальную подготовку проектировщика. Статья основана на личном педагогическом опыте авторов и обобщении результатов практических работ студентов. Авторами предлагаются методы, реализующие задачу формирования творческого мышления, специфику и логику рассуждений. Они развивают экспериментальный подход к решению проектных задач и определяют практику проектного процесса, как «творчество». Идеи, отраженные в эскизах, аналитических схемах, кластерах на разных стадиях проектирования, позволяют выдвинуть предположение, что междисциплинарность выступает «мостом» между теорией и практикой проектирования. В методах и материалах раскрываются факторы и принципы, на основе которых формируется концепция, художественно-эстетический образ объекта, принципы формообразования, и оправданность конструктивно-технологических решений. Главной мыслью данной статьи стало обоснование междисциплинарности как условия для реализации профессиональных компетенций дизайнера.

show abstract

Ornament and Decor as Semiotic Elements

Cited by 3 publications

References 1 publication

Ornament and Decor as Semiotic Elements

Ornament and Decor as Semiotic Elements

Prerequisites for the emergence of the artistic movement of Tobaism in the fine arts of Kazakhstan

Междисциплинарность Как Компетенция В Дизайн Образовании И Основа Творческого Подхода В Решении Проектных Задач

Contact Info

Product

Resources

About