2010
DOI: 10.1080/09654313.2010.504343
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One Size Fits All? Applying the Creative Class Thesis onto a Nordic Context

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Cited by 46 publications
(18 citation statements)
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“…Previous research on locational preferences has questioned Florida's assumptions in comparing the attraction of the 'creative class' to specific regions or city-regions (Houston et al, 2008;Niedomysl and Hansen, 2010;Hansen and Niedomysl, 2009;Andersen et al, 2010). In focusing on the residential preferences of the 'creative class', our results highlight the residential preferences of that group are similar to the choice characteristics of the general population.…”
Section: Discussionmentioning
confidence: 52%
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“…Previous research on locational preferences has questioned Florida's assumptions in comparing the attraction of the 'creative class' to specific regions or city-regions (Houston et al, 2008;Niedomysl and Hansen, 2010;Hansen and Niedomysl, 2009;Andersen et al, 2010). In focusing on the residential preferences of the 'creative class', our results highlight the residential preferences of that group are similar to the choice characteristics of the general population.…”
Section: Discussionmentioning
confidence: 52%
“…In recent years, a number of authors have examined the attraction of particular countries, regions and city-regions for the 'creative class' (Houston et al, 2008;Niedomysl and Hansen, 2010;Hansen and Niedomysl, 2009;Andersen et al, 2010). Such an analysis is based on the assumption within Floridas' thesis that the 'creative class' are highly mobile and attracted to specific regions based predominantly upon the soft amenity-based preferences outlined in the foregoing analysis.…”
Section: Location Formentioning
confidence: 99%
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“…Furthermore, results point to the importance of social ties to family and friends being relevant for location choice (cf. Andersen, Bugge, et al, 2010;Lawton et al, 2013). Lawton et al (2013) conclude "Yet, no discernible pattern could be found in our results that might differentiate the residential preferences of the 'creative class' from those outlined in the existing body of literature on the general population."…”
contrasting
confidence: 61%