1995
DOI: 10.1016/s0095-4470(95)80029-8
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On loops

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Cited by 50 publications
(74 citation statements)
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“…All four plots clearly confirm that the biomechanical model correctly reproduces the forward articulatory loop that can be observed for natural velar stop production (Mooshammer et al 1995).…”
Section: Tongue Contour Trajectories For the Ep Stimulisupporting
confidence: 71%
See 1 more Smart Citation
“…All four plots clearly confirm that the biomechanical model correctly reproduces the forward articulatory loop that can be observed for natural velar stop production (Mooshammer et al 1995).…”
Section: Tongue Contour Trajectories For the Ep Stimulisupporting
confidence: 71%
“…One important point to take into account when designing a valid multidimensional cue weighting experiment are the transitions between the phoneme targets: For example, velar stops show a strong articulatory forward loop (see, e.g., Mooshammer et al 1995), additionally the shape of the loops differs for voiceless and voiced consonantal targets (Brunner et al 2011). Assuming that these loops could play a perceptual role, in the design of multidimensional perceptual stimuli one preferably aims for the most realistic synthesis model, with the aim to not disregard possible important influences on the perceptual system.…”
Section: Modelling Physically Realistic Perceptual Stimulimentioning
confidence: 99%
“…For intervocalic velar stops, it has been shown that there is usually a looping movement. During this movement the tongue slides along the palate, usually from a more retracted point towards a more fronted point (e.g., Mooshammer et al 1995;Brunner et al 2011), although backward looping occurs depending on the vowel context and the speaker. Informal observations on the data discussed in this study suggest that there is forward looping during the velar stop in /sk/ as well, even with a smaller movement amplitude.…”
Section: Onsets Versus Codasmentioning
confidence: 99%
“…Mooshammer, Hoole, and Kühnert (1995) analyzed tongue movements during velar consonant production in various vowel contexts by means of electromagnetic articulography. Three transmitter coils mounted on a helmet generated an alternating magnetic field at three different frequencies.…”
Section: Production and Acoustics Of The Voiced Alveolar Stopmentioning
confidence: 99%