Ojung and Pencak Silat : Village and National Sports in Madura

Bouvier, Hélène

doi:10.3406/arch.1990.2659

Cited by 4 publications

(2 citation statements)

References 0 publications

Supporting

Mentioning

Contrasting

Unclassified

Order By: Relevance

“…Institusi kebudayaan nasional menggolongkannya sebagai seni pertunjukan suci yang bercampur unsur olah raga, karena pukulan yang diterima para petarungnya berfungsi menghapuskan "dosa-dosa" masa lalu penduduk desa, sehingga 'kutukan' kekeringan yang melanda daerahnya menjadi lenyap (Depdikbud, 1986). Bouvier (1990) mempertemukan Ojhung dan pencak silat dalam konsepsi seni bela diri yang menguji sportivitas dan ketangkasan mengalahkan lawan tandingnya. Meskipun keduanya dalam beberapa aspek memiliki perbedaan, seperti pencak silat yang mengutamakan teknik dasar, pelatihan terjadwal, dan level keilmuan berjenjang.…”

Section: Ardhie Radityaunclassified

“…Ini sebabkan karena sulitnya mencari pelaku dan saksi mata yang masih aktif menggelutinya di masa sekarang, secara rutin maupun terbuka, selain juga butuh waktu lama untuk tinggal di sana, daerah yang sama sekali tergolong asing bagi sebagian besar peneliti Madura. Bouvier (1989Bouvier ( , 1990Bouvier ( & 2002 mengalami keterbatasan meneliti Ojhung di wilayah Madura Utara karena medannya penuh risiko, sehingga penelitiannya dikonsentrasikan di perbukitan utara Sumenep, meskipun Ojhung di perbukitan utara Pamekasan sempat menarik perhatiannya. Ini sebabnya, Ojhung pada penelitian ini akan dikonsentrasikan pada wilayah perbukitan utara Pamekasan untuk memperkaya wacana akademik atau mungkin mengisi ruang kosong diseminasi ide utama bertemakan Ojhung Co' Ghunong yang masih tergolong "sepi peminat".…”

Section: Metodeunclassified

See 1 more Smart Citation

Ojhung di Atas Bukit: Budaya Magis Orang Madura Utara

Raditya

2022

GJPBSI

View full text Add to dashboard Cite

Kehidupan orang-orang Madura Utara selama ini belum menjadi fokus perhatian arus utama dalam studi-studi akademik orang Madura. Sebagian besar peneliti Madura sering memandang ke arah selatan karena menjadi pusat kemajuan kota di pulau Madura. Tujuan penelitian ini mencoba mengungkap kekhasan budaya Madura Utara yang selama ini masih sangat terbatas dalam studi-studi akademik orang Madura. Salah satu budaya khas Madura Utara tersebut adalah pagelaran budaya ritual magis, yakni Ojhung Co’ Ghunong. Berdasarkan observasi terlibat yang dihimpun oleh peneliti menunjukkan bahwa Ojhung Co’ Ghunong adalah seni bertarung lelaki Madura Utara yang memainkan peranan penting bagi ritual magis dalam tradisi menurunkan hujan ketika musim kemarau panjang. Melalui kerja metode etnografi monografi, tersingkap kandungan nilai budaya kehidupan di antara Ojhung Co’ Ghunong. Budaya kehidupan ini tidak hanya berupa usaha menghidupkan lahan-lahan pertanian yang dilanda kekeringan, melainkan juga telah bertransformasi menjadi saluran pendidikan di antara orang-orang Madura Utara untuk menjaga dua kekuatan tubuh mereka, yakni tubuh material dan non material, agar menjadi lelaki Madura sejati.

show abstract

Section: Ardhie Radityaunclassified

Section: Metodeunclassified

Ojhung di Atas Bukit: Budaya Magis Orang Madura Utara

Raditya

2022

GJPBSI

View full text Add to dashboard Cite

show abstract

Performing Silat in Malaysian diasporic communities in Australia: a cultural heritage analysis of identities, performance and self

Affifudin¹

View full text Add to dashboard Cite

Malaysian students who come to study in Australia have been organising cultural festivals for more than 20 years. These festivals host cultural heritage performances that represent the various ethnicities found in the Malaysian homeland. However, very little is known about the way these diasporic performances differ from those in the homeland, and whether any differences could jeopardise the Malaysian identities they are supposed to represent. I investigate the role of intangible cultural heritage performances in developing a sense of identity amongst diasporic communities by focusing on the performance of the martial art of Silat in three Malaysian festivals in Australia. The martial art of Silat is acknowledged in Malaysia as both a Malay cultural heritage and a Malaysian national heritage. Silat contains the typical fighting skills and strategies that can be found in other martial arts. However, the culture of Silat has also the element of performance. In Malaysia, Silat is traditionally performed either in private or public contexts. As a Silat practitioner, I have personally experienced performing Silat in my homeland, Malaysia, and in the diasporic context of Australia. Festivals have become key events for diasporic and multicultural communities to represent and accentuate their cultural identities. In the absence of tangible heritage objects and monuments, diasporic communities have relied on intangible cultural heritage to connect with their homeland, as well as to negotiate their own self-identities in their diasporic settings. Malaysian migrants and temporary students in Australia have both contributed to the representation of their national and ethnic identities through festivals, such as the Fiesta Malaysia in Melbourne; the Citra Malaysia in Brisbane; and the Malaysia Festival in Sydney. Using participant observation in Melbourne, my own participation as a Silat performer in Sydney and Brisbane, and numerous interviews with other performers, audience members, and festival organisers, I investigate how the performance of Silat in Malaysian festivals reflects the diasporic and multicultural identities of Malaysian communities in Australia. I demonstrate that negotiations between the different stakeholders are very significant in establishing the representation of identities through intangible cultural heritage performances. Diasporic cultural festivals also allow various performers to negotiate their ideas and skills, and fuse them in order to produce distinct cultural heritage performances. I conclude that Silat performances in Australia are not the same as those in the homeland. Despite the differences, I argue that heritage performances in the diaspora can still be considered as 'authentic' Malay and Malaysian heritage. I discuss these results using the concepts of performance, authenticity and identity within a cultural heritage methodological paradigm. iii Declaration by author This thesis is composed of my original work, and contains no material previously published or written by another person e...

show abstract

Une école catholique de pencak silat Tunggal Hati Seminari

Grave¹

1996

arch

View full text Add to dashboard Cite

Ojung and Pencak Silat : Village and National Sports in Madura

Cited by 4 publications

References 0 publications

Ojhung di Atas Bukit: Budaya Magis Orang Madura Utara

Ojhung di Atas Bukit: Budaya Magis Orang Madura Utara

Performing Silat in Malaysian diasporic communities in Australia: a cultural heritage analysis of identities, performance and self

Une école catholique de pencak silat Tunggal Hati Seminari

Contact Info

Product

Resources

About