Occupying new sound worlds

Magowan, Fiona; Donaghey, Jim; McNelis, Annette

doi:10.5040/9781350232310.0012

Cited by 1 publication

(1 citation statement)

References 8 publications

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“…Klodawksy (2007) highlights that “there are differences over what constitutes meaningful involvement and how social change is to be evaluated” (p. 2847), and as discussed above, our contributions to the diversity of evaluation undertaken by MWB may be understood as a “service” of sorts. In addition to our complementary suite of evaluation processes, we have contributed directly to the “Music Bridge” training program pedagogically, and the research process with our participants has been a transformative one (this is further discussed by participants in reflection on the “StoryMap” methodology, see Magowan et al, forthcoming). While our research methods are applied for concerted periods with direct impact, over the longer term these creative research practices may be considered as associative in terms of their ongoing effects and integration within the aims and outcomes of the training program.…”

Section: Methodological Fit or Methodological Commensurabilitymentioning

confidence: 99%

Emotion Curves: Creativity and Methodological “Fit” or “Commensurability”

Donaghey

Magowan

2021

International Review of Qualitative Research

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The “emotion curve” is a creative methodology that asks research participants to express in graphic form changes in their emotional responses over time, reflecting on a given time period or on a particular activity or event (in our case, music-based activities). This methodology was developed as part of our research with community music-making NGO Musicians Without Borders at their “Music Bridge” participatory music and movement training program in Derry/Londonderry, Northern Ireland. This article discusses how the “post-conflict” context of our research, and our engagement with the principles of prefiguration and participatory action research, shaped the development of this innovative methodology, paying particular attention to achieving methodological “fit” (or commensurability) with the practices, objectives, and ethos of our research partners. This creative and “fitting” (or commensurate) methodology has been the basis of a “mutually transformative dialog” with our research partners.

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Section: Methodological Fit or Methodological Commensurabilitymentioning

confidence: 99%