2021
DOI: 10.1177/19408447211002768
|View full text |Cite
|
Sign up to set email alerts
|

Emotion Curves: Creativity and Methodological “Fit” or “Commensurability”

Abstract: The “emotion curve” is a creative methodology that asks research participants to express in graphic form changes in their emotional responses over time, reflecting on a given time period or on a particular activity or event (in our case, music-based activities). This methodology was developed as part of our research with community music-making NGO Musicians Without Borders at their “Music Bridge” participatory music and movement training program in Derry/Londonderry, Northern Ireland. This article discusses ho… Show more

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
1
1

Citation Types

0
2
0

Year Published

2022
2022
2024
2024

Publication Types

Select...
1
1
1

Relationship

1
2

Authors

Journals

citations
Cited by 3 publications
(2 citation statements)
references
References 28 publications
0
2
0
Order By: Relevance
“…As well as having important implications for our methodology, an engagement with bordering also fits with our ethical commitment to do 'research with and research for our research partners' , MWB (in addition to 'the "traditional" ethnographic sense of doing research about' MWB) (Donaghey and Magowan 2021). Perhaps this engagement with bordering is in some sense nominatively determined -the name Musicians Without Borders compels us in this directionbut we do well to take this 'borderlessness' seriously (for a parallel discussion of this concept as it applies to Médecins sans Frontières/Doctors without Borders, see Debrix 1998).…”
Section: The Value Of Storymaps In Communitybased Participatory Researchmentioning
confidence: 92%
“…As well as having important implications for our methodology, an engagement with bordering also fits with our ethical commitment to do 'research with and research for our research partners' , MWB (in addition to 'the "traditional" ethnographic sense of doing research about' MWB) (Donaghey and Magowan 2021). Perhaps this engagement with bordering is in some sense nominatively determined -the name Musicians Without Borders compels us in this directionbut we do well to take this 'borderlessness' seriously (for a parallel discussion of this concept as it applies to Médecins sans Frontières/Doctors without Borders, see Debrix 1998).…”
Section: The Value Of Storymaps In Communitybased Participatory Researchmentioning
confidence: 92%
“…Another way I sought to use tools that allowed for communication that was not solely linguistic was through emotion curves. Based on Donaghey and Magowan’s (2022) work, I created a survey that asked participants “Reflecting on your experience during the sessions, draw a curve to express changes in how you experienced the emotions listed over the course of the sessions. Feel free to express the emotion in any design, graphic, or color that you feel reflects this process” the emotions were empathy, frustration, joy, critical, and content.…”
Section: Introductionmentioning
confidence: 99%