2018
DOI: 10.1590/18094449201800520015
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“O Rio de Janeiro é uma terra de homens vaidosos”: mulheres, masculinidade e dinheiro junto ao funk carioca

Abstract: Departing from the nexus between gender and materiality we take money as an aesthetic object in order to elicit the relationality of the male funk person. We bring to the fore money as adornment, as articulator of relations and as substance. Woman, in some accounts described as being objectified, reveals the feminine powers engendering male personhood. We reconceptualize the body and the person as non-discrete entities, rethinking together the notion of "object." We also bring a new meaning to the notion of "o… Show more

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Cited by 6 publications
(8 citation statements)
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“…Funk refers to Funk Carioca, the Brazilian hip hop style that originated in Rio's urban favelas in the 1990s. Although it has become widely popular since, Funk is still "strongly associated with young residents of the city's favelas and peripheries" (Mizrahi 2018), mainly through its proper esthetics, including not only rhythm and lyrics, but also body styles and fashion.…”
mentioning
confidence: 99%
“…Funk refers to Funk Carioca, the Brazilian hip hop style that originated in Rio's urban favelas in the 1990s. Although it has become widely popular since, Funk is still "strongly associated with young residents of the city's favelas and peripheries" (Mizrahi 2018), mainly through its proper esthetics, including not only rhythm and lyrics, but also body styles and fashion.…”
mentioning
confidence: 99%
“…dos cabarés, roupas distintas, exibição de carros e o uso ostensivo de ouro pelo corpo Mizrahi (2018). realiza estudo etnográfico sobre personalidades do funk carioca, relacionando-as com a construção social do gênero e estética pautada pela presença do dinheiro como elemento fundante e fundador de relações.…”
unclassified
“…| rio de janeiro, v.10.03: 1045 -1056 , set. -dez., 2020 tas mulheres fala também de uma fragilidade da condição masculina que se faz necessariamente na relação com muitas mulheres, aspecto que evidencio a partir do vai e vem de dinheiro, joias, uísques e mulheres, permitindo complexificar a representação do feminino como submisso aos desejos do homem (Mizrahi, 2018). Pois a relacionalidade da pessoa feminina residia não em sua contraparte masculina, mas na relação com a mulher branca.…”
unclassified