2020
DOI: 10.1002/lary.28547
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Noise Exposure on the London Underground, an Observational Study over a Decade

Abstract: Objectives: There are no hearing protection regulations in place for passengers using public transport, such as the London Underground. In light of this, we sought to examine sound pressure levels experienced by regular users of the London Underground. Methods: Sound pressure levels (A-weighted decibels: dBA) were taken on moving London Underground carriages between Euston and South Wimbledon on the Northern Line, and between Euston and Vauxhall on the Victoria Line, during 2006 and 2018. In addition, carriage… Show more

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Cited by 4 publications
(3 citation statements)
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“…This allowed real-world spatial recordings to be used, giving a realistic background that directly included the spatial direction, distance and source width cues from the recorded scene. To increase the flexibility of the background rendering [32], NLS was used to reproduce the foreground elements. This ensured that the foreground elements could be varied independently of the HOA background content, while avoiding any timbral quality and localisation issues that may have arisen from spatial processing (to achieve panning and distance perception, for example).…”
Section: Virtual Sound Environmentmentioning
confidence: 99%
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“…This allowed real-world spatial recordings to be used, giving a realistic background that directly included the spatial direction, distance and source width cues from the recorded scene. To increase the flexibility of the background rendering [32], NLS was used to reproduce the foreground elements. This ensured that the foreground elements could be varied independently of the HOA background content, while avoiding any timbral quality and localisation issues that may have arisen from spatial processing (to achieve panning and distance perception, for example).…”
Section: Virtual Sound Environmentmentioning
confidence: 99%
“…For the quiet scenario a quiet afternoon was chosen, and for the busy scenario the recording was made in the kitchen with the dishwasher, washing machine, as well as the sink on, indicative of a busy home atmosphere. The train recordings were made using a Zylia ZM-1 microphone: for the quiet scenario, recordings were made on a national train between two nearby stations; for the busy scenario, recordings were during the daytime on the Bakerloo line (one of the noisiest lines of the London Underground [32]).…”
Section: Stimulus Recordingmentioning
confidence: 99%
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