2006
DOI: 10.1080/09612020500440952
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‘Nicely Feminine, Yet Learned’: Student Rooms at Royal Holloway and the Oxford and Cambridge Colleges in Late Nineteenth‐Century Britain

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Cited by 9 publications
(5 citation statements)
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“…This has included the publication of pieces on how women's rooms and accommodation were styled, how these students and their lifestyles were portrayed in the press, the specific women's cultures that developed at these colleges, as well as the role of the female student in popular society -namely the «Girton Girl» who, according to Petra Clark, «epitomized a domain of female freedom where young women had the power to control their own surroundings»". 73 This has also been supported by the launch of a digital archive project at Oxford University titled «Education and activism: women at Oxford, 1878-1920» which has currently digitised over 7000 archival images from the records of the former women's colleges at the university (Lady Margaret Hall, Somerville, St Anne's, St Hilda's and St Hugh's), including admissions records, annual reports, calendars, photographs, scrapbooks, minutes and letters. 74 This material will undeniably change the way we understand women's education in Oxford and will offer researchers the opportunity to delve more closely in the unique experiences of women at these colleges.…”
Section: The Experiences Of Women As Studentsmentioning
confidence: 99%
“…This has included the publication of pieces on how women's rooms and accommodation were styled, how these students and their lifestyles were portrayed in the press, the specific women's cultures that developed at these colleges, as well as the role of the female student in popular society -namely the «Girton Girl» who, according to Petra Clark, «epitomized a domain of female freedom where young women had the power to control their own surroundings»". 73 This has also been supported by the launch of a digital archive project at Oxford University titled «Education and activism: women at Oxford, 1878-1920» which has currently digitised over 7000 archival images from the records of the former women's colleges at the university (Lady Margaret Hall, Somerville, St Anne's, St Hilda's and St Hugh's), including admissions records, annual reports, calendars, photographs, scrapbooks, minutes and letters. 74 This material will undeniably change the way we understand women's education in Oxford and will offer researchers the opportunity to delve more closely in the unique experiences of women at these colleges.…”
Section: The Experiences Of Women As Studentsmentioning
confidence: 99%
“…The masculine world of the late Victorian and Edwardian gentleman's club is examined by Milne‐Smith, who argues that, far from embodying a flight from domesticity, as is often suggested, clubs served many of the functions of a home, for both single and married men. In a prize‐winning essay, Hamlett investigates the decoration of student rooms at Royal Holloway and Oxbridge colleges in the late nineteenth century, finding many similarities between men's and women's rooms, and in particular a willingness among men to adopt ‘feminine’ decoration. Webb examines the Girls’ Best Friend , a Harmsworth magazine, in the 1890s, showing how it promoted gender roles among its readers, albeit in a ‘confusing and contradictory’ way.…”
Section: (V) 1850–1945
Mark Freeman and Julian Greaves
University Of mentioning
confidence: 99%
“…Such an approach would reflect on the methods and processes of production but also factors such as patronage; she asks, “Under whose auspices was this photograph produced?” (Jordanova, p. 96) 28. For historian Jane Hamlett, “A criticism of a photograph should include the analysis of composition, an attempt to link the photograph to other records and to situate it within the genre in which it was produced” (Hamlett, p. 139) 42. For an analysis of patient photographs, this involves close content analysis of the subject of the photo, consideration of the photograph within the surrounding text that could be case notes, textbook content or captions and situating it within photographic portraiture, medical photography and medical practice more generally.…”
Section: Introductionmentioning
confidence: 99%