‘Natures freedome’, the Art of Sovereignty and Mustapha’s Tragic Insolubility

Abstract

As Fulke Greville examines Suleiman the Magnificent’s 1552 execution of his son Mustapha in his tragedy Mustapha, so too does the Ottoman episode figure prominently in Jean Bodin’s most important political works, exposing the fraught relationship between nature and sovereignty. This chapter examines Bodin’s treatment of the Mustapha episode, illustrating how he uses the event to subtly expose the paradoxes at work in sovereignty before demonstrating the relevance of these discoveries to Greville’s own work. Greville, moreover, seizes upon tragedy’s capacity to express these paradoxes, to dramatize in vivid detail the insoluble problem at the heart of Bodin’s theses on nature and sovereignty. Mustapha does not ground any one politics but rather reveals the aporetic foundation of any sovereign power in nature—that is to say, of every sovereign power—as well as the confusing and often conflicting character of political life.

Magnificence as a Royal Virtue in Ottoman Jewish Political Thought

“…See also Andrews and Kalpaklı, [Anonymous], 207-12. 36 See Leo;Valensi, 1993, 63. son's plans to marshal support in the court and co-opt the sultan's acolytes by promising rewards according to each person's rank. Subsequently, Süleymān ordered his son's execution and displayed excessive cruelty against him, for he believed that Şehzade Muṣ ṭ afā's plot and disobedience constituted treason, and the only proper punishment should be death.…”