Musique et cosmopolitisme culturel chez les jeunes

What My Music Says About Me: Re-evaluating the ‘Badge’ Function of Music in the Context of Streaming

“…Through these elements, their interrelation and inter-influence, we were able to piece together our participants’ use of music in everyday life, as well as its significance throughout their lifespan. Looking more closely at their tastes, our participants were consistent with the findings of Pronovost et al (2021): most said that they listened to everything (with some genres excluded) or struggled to identify which genres their favorite music belonged to. Very few participants were able to identify one or two genres that they called their favorites.…”

“…Where such associations exist, they can also become reinforcing, as young people can use taste to make specific identity claims (Rentfrow & Gosling, 2003). However, as recent research on young people's musical taste (Pronovost et al, 2021) and the tastes of our participants suggest, diverse taste now seems to be the norm and specific taste the exception. Furthermore, there seems to be a blurring of boundaries between different genres, with young people sometimes struggling to identify the genre to which their music belongs.…”

“…They have also been criticized for ignoring adolescents who have eclectic tastes (Schwartz & Fouts, 2003). This omission is significant when attempting to translate these findings into a contemporary context, as tastes are broadening and becoming more eclectic (Pronovost et al, 2021).…”

“…As a first indication that this thesis could be reexamined, research suggests that young people are moving away from having a few favorite genres of music towards a broad appreciation of 'everything'. To this end, Pronovost et al (2021) surveyed the musical tastes of 16-29-year-olds and found that a significant proportion of their participants claimed to listen to 'everything', while some were unable to identify specific genres as their favorites. Instead, most participants claimed to have a diverse and extensive repertoire that is constantly growing, drawing from different genres and eras of music.…”

Negative hydrogen ion sources for particle accelerators: Sustainability issues and recent improvements in long-term operations

“…For example, filament lifetime data, the key sustainability issue for the TRIUMF DC H¯/D¯ source utilized in commercial and research environments is sparse. The authors of this paper are thankful for contributors [21][22][23][24][25][26][27] for the table in Fig. 5 containing lifetime data for the following filament configurations: (a) 1 Tungsten arch-shaped filament segment (φ = 2.4 mm), (b) 2 semi-circular Tantalum filament segments (φ = 2 mm), (c) 4 semi-circular Tantalum filament segments (φ = 1.6 mm), and (d) 1 pigtail Tungsten alloy filament segment (φ = 3 mm) [20].…”