Abstract:On the eve of the First World War the French musical press enjoyed a freedom of expression which allowed it to put works and composers into clear-cut categories. This same freedom of expression authorized it to denounce explicitly the state's stranglehold over the organization of its grand theatres through the implementation of the cahiers des charges. This study is based on the articles which Jean Chantavoine published in L' Année musicale in 1911Année musicale in , 1912Année musicale in and 1913 He writes… Show more
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