2012
DOI: 10.1007/978-0-230-35759-4
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Multimedia Performance

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Cited by 50 publications
(16 citation statements)
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“…Regarding the possibility of an expert explaining the opinion or drawing up a so-called opinion to supplement the previous regulations, they allowed verification of the opinion only by verbally expressing a position about it by the expert 79 . However, according to the new wording of Article 286, the court may request oral or written supplementation or clarification of the opinion, as well as an additional opinion from the same expert or other experts.…”
Section: Evidence From Expert's Opinionmentioning
confidence: 99%
“…Regarding the possibility of an expert explaining the opinion or drawing up a so-called opinion to supplement the previous regulations, they allowed verification of the opinion only by verbally expressing a position about it by the expert 79 . However, according to the new wording of Article 286, the court may request oral or written supplementation or clarification of the opinion, as well as an additional opinion from the same expert or other experts.…”
Section: Evidence From Expert's Opinionmentioning
confidence: 99%
“…Neste tipo de proposta artística, é através da experiência corpórea que o público acessa texto, imagem e som, num processo que funde informação e materialidade (Klich, Scheer, 2012).…”
Section: Visualidade E Imersãounclassified
“…Essa tendência de criar uma experiência de imersão em tempo e espaços reais é observada durante todo o século XX na produção das vanguardas. Na produção teatral, a intenção tem sido a de quebrar a "quarta parede" e deixar a audiência imersa no mesmo espaço da performance (Klich, Scheer, 2012). Em sua proposta de imersão, Juice aproxima a arte da vida cotidiana, indo ao encontro dos novos conceitos artísticos.…”
Section: Visualidade E Imersãounclassified
“…Rosemary Klich and Edward Scheer have described this kind of response as immersion. 12 eir conception of immersive involvement means that for the viewer/listener, or simply the participant of a multimedia performance, the technology of the performance becomes (almost) invisible and instead the beholder enters the ctional or symbolic world of the performance. e hypermediacy, of which Jay David Bolter and Richard Grusin speak, 13 seems to disappear in favour of the immediacy of the encounter.…”
Section: Young Audiences: Interaction and Immersionmentioning
confidence: 99%