The Handbook of Speech Production 2015
DOI: 10.1002/9781118584156.ch11
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Motor Equivalence in Speech Production

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Cited by 23 publications
(21 citation statements)
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“…Importantly, FACTS produces compensation auditory perturbations despite having no auditory targets. Previously, such compensation has been seen as evidence in favor of the existence of auditory targets for speech 14 . In FACTS, auditory perturbations cause a change in the estimated state of the vocal tract on which the task-level and articulatory-level feedback controllers operate.…”
Section: Model Response To Mechanical and Auditory Perturbationsmentioning
confidence: 97%
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“…Importantly, FACTS produces compensation auditory perturbations despite having no auditory targets. Previously, such compensation has been seen as evidence in favor of the existence of auditory targets for speech 14 . In FACTS, auditory perturbations cause a change in the estimated state of the vocal tract on which the task-level and articulatory-level feedback controllers operate.…”
Section: Model Response To Mechanical and Auditory Perturbationsmentioning
confidence: 97%
“…The magnitude of these responses only partially compensates for the perturbation, unlike the complete responses produced for mechanical perturbations. While the exact reason for this partial compensation is not known, it has been hypothesized to relate to small feedback gains 19 or conflict with the somatosensory feedback system 14 . We explore the cause of this partial compensation below, but focus here on the ability of the The produced F1 is shown in black and the perceived F1 is shown in blue.…”
Section: Model Response To Mechanical and Auditory Perturbationsmentioning
confidence: 99%
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“…From present-day research, we further obtain that although there is confirming evidence that lower vocal tract dynamics play a role in prosodic stress, it is also found that respiratory kinematic modulations are not always consistently recruited when performing some stressed vocalization (Fuchs, Koenig, & Petrone, 2019;Petrone, Fuchs, & Koenig, 2017). Indeed, akin to what is known about coordinative structures in general (Kugler, Scott Kelso, & Turvey, 1980), and speech specifically (Kelso, Tuller, Vatikiotis-Bateson, & Fowler, 1984), chest-wall modulations are just a few of many degrees of freedom that can be utilized to successfully perform a vocal act, next to a host of other vocally equivalent solutions (Perrier & Fuchs, 2015).…”
mentioning
confidence: 74%