2017
DOI: 10.1037/pmu0000171
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Momentum in music: Musical succession as physical motion.

Abstract: A melodic line involves a note of a given pitch and duration, followed by another note of a given pitch and duration, and so on, but we often perceive such musical succession in time as movement in space (e.g., melodic contours ascend or descend, etc.), and concepts related to motion have been used to describe and understand musical experience. Johnson and Larson (2003) suggested musical motion is analogous to motion of physical objects, and Larson (2012) discussed musical forces analogous to the forces that o… Show more

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Cited by 17 publications
(16 citation statements)
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References 160 publications
(253 reference statements)
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“…Belief in PM-and in its ability to elevate performance-cuts across numerous domains including politics (Kenney & Rice, 1994), athletics (e.g., Gernigon et al, 2010;Taylor & Demick, 1994), finance (e.g., Arkes, 2011;Hendricks, Patel, & Zeckhauser, 1993), shopping (Dhar, Huber, & Khan, 2007), academic writing, and even house cleaning (Markman & Guenther, 2007) and musical experience (Hubbard, 2017). Belief in the effect is so powerful that it has been found to influence decisions as meaningful as where one invests their retirement funds (e.g., Hendricks et al, 1993), and for whom one casts their presidential vote (Kenney & Rice, 1994).…”
Section: G En Er a L Discussionmentioning
confidence: 99%
“…Belief in PM-and in its ability to elevate performance-cuts across numerous domains including politics (Kenney & Rice, 1994), athletics (e.g., Gernigon et al, 2010;Taylor & Demick, 1994), finance (e.g., Arkes, 2011;Hendricks, Patel, & Zeckhauser, 1993), shopping (Dhar, Huber, & Khan, 2007), academic writing, and even house cleaning (Markman & Guenther, 2007) and musical experience (Hubbard, 2017). Belief in the effect is so powerful that it has been found to influence decisions as meaningful as where one invests their retirement funds (e.g., Hendricks et al, 1993), and for whom one casts their presidential vote (Kenney & Rice, 1994).…”
Section: G En Er a L Discussionmentioning
confidence: 99%
“…PM models posit that events follow trajectories toward some (desired or undesired) end‐state and that the perceived speed of movement toward reaching those end‐states is experienced as perceptual velocity (e.g., Adler, ; Gernigon et al, ; Hubbard, ; Markman & Guenther, ; Vallerand et al, ). Stated differently, perceptual velocity refers to a rate of change (or reinforcement), and it is assumed that “… a faster rate of change is associated with a larger momentum‐like effect” (Hubbard, , p. 57).…”
Section: The Input‐centered Approach: Investigating Pm‐like Stimulimentioning
confidence: 99%
“…In all, the literature suggests that the experience of PM emerges in response to perceived (psychological) changes taking place within salient temporal and contextual frameworks. PM is experienced as a trajectory bookended by a starting point and an ending point and is contextualized within a meaningful history of events (e.g., Adler, 1981;Adler & Adler, 1978;Gernigon et al, 2010;Hubbard, 2017a;Markman & Guenther, 2007). Moreover, the extant work emphasizes the view that experienced trajectories conveying temporal and dynamic information have the potential for eliciting the experiential state of PM (e.g., Briki, 2017;Hubbard, 2017b;Markman & Guenther, 2007).…”
Section: Perceptually Interconnected Timescalesmentioning
confidence: 99%
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“…Theoretical analysis has even been extended to examination of musical inertia’s momentum-like effect as a general or unique mechanism of psychological and behavioral momentum (Hubbard, 2017a). Recent theory construction and model expansion (Iso-Ahola and Dotson, 2014, 2016, 2017) has also led to large-scale empirical investigations on elite performers.…”
Section: Parameters To Evaluate a Phenomenon’s Existence/non-existencementioning
confidence: 99%