2012
DOI: 10.1177/1363460711432106
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Mockery or fantasy? Transvestite characters, cross-dressing and subaltern sexualities in sketches in French talk shows

Abstract: For the past 30 years, French comedians have resorted to cross-dressing as a key comic mechanism and have used subaltern sexualities as objects of mockery. In this article, I analyse the extent to which these sketches denaturalize sex–gender binarisms. While cross-dressing by male humorists such as Elie Semoun and Antoine de Caunes results in failed visual imitations of femininity that underpin the binary sex–gender system, the performance of masculinity by female humorists such as Julie Ferrier and Florence F… Show more

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Cited by 5 publications
(6 citation statements)
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“…In both episodes, Qyoung gives detailed tutorials on girlish makeup, but he assumes a comedic attitude and his videos look like a ludic activity, not a serious beauty tutorial. Moreover, crossdressing is a classic code for male comedians, which is considered liberating and subversive because it blurs the boundaries of gender (Quemener). Thus, beauty tutorials applying such a code become more tolerable for uncomfortable male viewers.…”
Section: Male Makeup Tutorials On Youtubementioning
confidence: 99%
“…In both episodes, Qyoung gives detailed tutorials on girlish makeup, but he assumes a comedic attitude and his videos look like a ludic activity, not a serious beauty tutorial. Moreover, crossdressing is a classic code for male comedians, which is considered liberating and subversive because it blurs the boundaries of gender (Quemener). Thus, beauty tutorials applying such a code become more tolerable for uncomfortable male viewers.…”
Section: Male Makeup Tutorials On Youtubementioning
confidence: 99%
“…Discrepancy is one of the main elements that evoke laughter in cross‐dressing (Quemener). Interestingly, in VIXX's show, humor works disproportionately for female audiences.…”
Section: Gender Parody: Putting On a Campy Maskmentioning
confidence: 99%
“…Queer is a verb, a way of performing identity. The corporeality of androgynous cross‐dressers has the potential to change the meaning of performance because the “body marks a central shift in the nature of the intervention” (Quemener 86). SJ and SY's bodies directly shape the audience's visual experience and affect the following interpretation.…”
Section: Wearing a Mask Of Homoeroticismmentioning
confidence: 99%
“…Nelly Quemener addresses this disjunction in her examination of cross-dressed characters in sketch comedy on French talk shows, arguing that they 'rely on actorly embodiment' rather than visual artifice, so that the sketch character becomes a fluid 10 apparition rather than a concrete persona. 30 Quemener proposes that discrepancies between appearance and behaviour in comedy sketches offer a queer transaction between performers and their audiences, and that when women take on discrepant performances they open up a space 'on a scale from female femininity to female masculinity.' 31 At the same time…”
Section: Queer Transactionsmentioning
confidence: 99%