2011
DOI: 10.1111/j.1467-8365.2011.00833.x
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Miraculous Images in Renaissance Florence

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Cited by 12 publications
(4 citation statements)
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“…Judging from just about any art tradition, imagery seems to convey a number of meaningful layers that could be activated by different circumstances or passivized in other social contexts (cf. Sandqvist 1992;Holmes 2011).…”
Section: From the Practice Of Picturing To The Alteration Of Archaeological Remainsmentioning
confidence: 99%
“…Judging from just about any art tradition, imagery seems to convey a number of meaningful layers that could be activated by different circumstances or passivized in other social contexts (cf. Sandqvist 1992;Holmes 2011).…”
Section: From the Practice Of Picturing To The Alteration Of Archaeological Remainsmentioning
confidence: 99%
“…He was ultimately sentenced to death because he had committed several crimes (games of chances, sacrilege, and attempted suicide) and because it would serve as a warning to other evildoers. Rinaldeschi had a nasty reputation, was not known for showing any particular reverence for the Virgin Mary, and committed his act of blasphemy in a fit of anger because he lost at dice (See Konnell and Konstebl [Connell and Constable] 2010;Holmes 2013).…”
Section: Violence Against Images: Between Belief and Unbeliefmentioning
confidence: 99%
“… 1 Paul Davies highlighted the coro finto ’s enshrinement of the Madonna and Child in his valuable study of Renaissance tabernacles situated within or comprised of perspectival space: Davies, 2013, 911–16. Megan Holmes, moreover, has called for sustained attention to this “simply ignored” cult image: Holmes, 2011, 435; Holmes, 2013, 4. The lone study of this Madonna is the local historian Ambrogio Palestra's modest volume: Palestra, 1983.…”
mentioning
confidence: 99%
“… 3 Jacobs, 2008, 96. For Italian miracle-working image cults, start with Belting; Jacobs, 2008; Maniura, 2009; Holmes, 2011; Garnett and Rosser; Holmes, 2013; Jacobs, 2013; Nygren.…”
mentioning
confidence: 99%