1990
DOI: 10.2307/1506168
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Maya Blue: Its Presence in Cuban Colonial Wall Paintings

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Cited by 14 publications
(9 citation statements)
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“…Maya Blue was initially developed in Yucatan, central Mexico, and Guatemala probably around the 6th century AD . The preparation technique of Maya Blue was further continued during the 16th and 17th centuries in Spain, perhaps profiting from this pioneer technology from America, which was later on applied during the 19th century into colonial times of Cuba, giving rise to pigments, called in this case as Havana Blue …”
Section: Hybrid Materials: When Serendipity Becomes Know‐howmentioning
confidence: 99%
“…Maya Blue was initially developed in Yucatan, central Mexico, and Guatemala probably around the 6th century AD . The preparation technique of Maya Blue was further continued during the 16th and 17th centuries in Spain, perhaps profiting from this pioneer technology from America, which was later on applied during the 19th century into colonial times of Cuba, giving rise to pigments, called in this case as Havana Blue …”
Section: Hybrid Materials: When Serendipity Becomes Know‐howmentioning
confidence: 99%
“…Maya blue is a pigment found in different representative sites of the cultures that inhabited Mesoamerica (Gettens 1955; Reyes‐Valerio 1993), from Mexico to Guatemala, and even in colonial sites of the Caribbean region, such as Cuba (Tagle et al . 1990). It was first described by Merwin (1931), who found the remains of a Maya wall in the Temple of the Warriors at Chichen‐Itzá and assumed it was an inorganic compound due to its high resistance to acids.…”
Section: Introductionmentioning
confidence: 99%
“…3 Later-on, its use was pursued in Spain during the 16th and 17th centuries and until the 19th century in Cuba under the Havana blue name. 4,5 It is now known that the Maya blue pigment is actually an ancient nanostructured material formed by assembling indigo, a natural dye, with palygorskite, a microbrous clay mineral. [6][7][8] Due to its exceptional stability, Maya blue was rst considered to be an entirely inorganic pigment, 3 but it was soon recognized that it is actually an organic-inorganic nanohybrid material, in which the organic dye molecules are encapsulated within the structural nano sized tunnels of palygorskite.…”
Section: Introductionmentioning
confidence: 99%