2012
DOI: 10.1057/9781137011794
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Masculinities in Contemporary Argentine Popular Cinema

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Cited by 13 publications
(7 citation statements)
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“…The immediate result of enforced disappearance was the painful loss of control over the destiny of their children and over their own lives (Taylor 1997). This uncertainty and lack of control were surely exacerbated by gendered ideas of patriarchal masculinity which are deeply engrained in an Argentinean culture that portrays fathers as the main physical protectors of children (Rocha 2012). In fact, these same views of men as ''protectors'' were manipulated by the military government to justify the political violence and extermination of political activists, actions which were explained as ''protecting'' the core values of the nation (Navarro 2001).…”
Section: Discussionmentioning
confidence: 99%
“…The immediate result of enforced disappearance was the painful loss of control over the destiny of their children and over their own lives (Taylor 1997). This uncertainty and lack of control were surely exacerbated by gendered ideas of patriarchal masculinity which are deeply engrained in an Argentinean culture that portrays fathers as the main physical protectors of children (Rocha 2012). In fact, these same views of men as ''protectors'' were manipulated by the military government to justify the political violence and extermination of political activists, actions which were explained as ''protecting'' the core values of the nation (Navarro 2001).…”
Section: Discussionmentioning
confidence: 99%
“…In the early 1990s, the crisis of white/European identity among the middle classes was deepening and President Carlos Menem sought to achieve legitimacy by proposing to make Argentina part of the First World through the adoption of free-market neoliberal policies aimed at bringing an imagined modern globalization to the country (Aguiló, 2018; Rocha, 2012). Against this backdrop, the Argentine state took the first step into a path that would eventually end up incorporating what could now be termed homonationalism as an official ideology.…”
Section: The Rise Of Homonationalism In Argentina During the 1980smentioning
confidence: 99%
“…21 Afraksturinn varð sá að allt fram á níunda áratuginn var þess vaenst að kvikmyndir álfunnar hefðu áberandi samfélags-og stjórnmálalega skírskotun (Sarlo 2003, 33). En þá komu ungir kvikmyndagerðarmenn fram á sjónarsviðið og hófu að segja sögur sínar á persónulegri nótum og fjalla um tilteknar aðstaeður og ástand með því að beina sjónum að einkalífi fólks, staðbundnum aðstaeðum og byggja efnistök á einstaklingsbundinni reynslu (Rocha 2012a(Rocha , 2012b. 22 Og þegar myndir eins og Kamíla, eftir argentínska leikstjórann Maríu Luísu Bember, var tilnefnd til Óskarsverðlauna sem besta erlenda myndin árið 1984, og mynd Luis Puezo, Opinbera útgáfan (s. La historia oficial), einnig frá Argentínu, var tilnefnd árið eftir, var brotið blað í kvikmyndasögu álfunnar (King 2000, 79-97;Shaw 2001;2007).…”
Section: Kvikmyndir Sem Menningarspeglarunclassified