Introduction -Design as Semiosisdrawing their research material from diverse areas of contemporary design. Sonia Andreou explores the meanings of postage stamp design as part of a country's official repertoire, the ideologies behind them, and how they are perceived by the citizens of the state, focusing on the Republic of Cyprus, a relatively newly-founded, post-colonial state, independent since 1960. The author presents findings of a survey, according to which the official state repertoire favored topics pointing to Cyprus' ancient past and religion, while citizens sought renewed ways for the official representation of their country through stamps depicting local folklore culture, suggesting more 'subversive' forms of self-representation. After discussing specific examples, she concludes that postage stamp imagery not only offers historical evidence regarding the country and time period studied, but also provides insights as to the negotiated character of official culture and its ongoing interaction with the citizens.John Reid Perkins Buzo discusses the development of 'maker' communities that usually originate from designers who employ technology in their own work, but then tend to embrace a larger vision of community empowerment, as they diffuse technological skills to the non-technical and non-academic public. Following John Deely's reading of the concept of Umwelt, the author investigates the semiotic environment in which these efforts take shape, focusing on the staged process of the development of two specific examples in Southern Illinois. This process is likened to a passage from the Innenwelt of private concern to the Umwelt of public space leading to an expansion of the Lebenswelt of human community forms, bringing together more people within the semiotic network.Parthena Charalambidou presents a comparative semiotic analysis of university website design in the US, the UK and Greece. Using concepts derived from Greimas, Barthes and Lotman, and focusing on the image/text relationship, the author examines the field of University website design and highlights points of convergence or divergence regarding education ideology in university websites. Looking into the different approaches to University marketing adopted by US, UK and Greek Universities, the author demonstrates that University online identity-making bears many similarities in Britain and the USA but ideological conceptions of education in Greece seem to form a rather separate semiosphere.Robin Fuller investigates the work of Rick Griffin, one of the leading figures of the psychedelic design movement in late 1960s San Francisco. Fuller argues that, although not an overt theorist, Griffin reveals aspects of the visual semiotics of writing that provide insights for the semiotic study of graphically-embodied language. Suggesting that it is only in recent years that semioticians and sociolinguists have begun to pay more attention to how language functions in its graphic manifestation, Fuller explores Griffin's experimental and innovative work discuss...