Manifesto of the Futurist Painters

Boccioni, Umberto; Carrà, Carlo; Russolo, Luigi; Balla, Giacomo; Severini, Gino

doi:10.1515/9783839437322-046

Cited by 6 publications

(6 citation statements)

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“…It is also important to clarify the biological/evolutionary bases of these effects. The Futurists argued that the world is not a series of static moments but is dynamically changing, and they sought techniques to express such dynamic sensations per se (Boccioni et al, 1910). Do chimpanzees have the ability to recognize the Futurists' motion representations?…”

Section: Discussionmentioning

confidence: 99%

Are chimpanzees futurists? Effects of motion lines and motion blur on the judgments of global motion direction in chimpanzees (Pan troglodytes).

Tomonaga,

Imura

2024

Journal of Comparative Psychology

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Based on the invention and development of photography and movie in the 19th century, schools of contemporary art, such as Futurism, have emerged that express the dynamism of motion in painting. Painting techniques such as multiple stroboscopic images, motion blur, and motion lines are culturally based, but the biological basis of their perception has also been intensively investigated recently. Then what are the evolutionary origins of such pictorial representations of motion? Do nonhuman animals also have sensitivity to such representations? To address this question, we examined the effects of motion blur and motion lines on the judgments of global motion directions in chimpanzees. The results showed that the motion lines biased the chimpanzees' judgments toward the direction of motion implied by them, whereas the effect of the motion blur was either absent or weak (Experiment 1). In Experiment 2, we manipulated the length and number of motion lines to examine the effect of "speed" and "distance" in addition to the motion direction implied by the motion lines. The results showed that the effect of motion lines became stronger as the length and the number of lines increased within a specific range. These results indicate that the motion lines also imply the direction of motion in chimpanzees and provide a clue to the evolutionary basis for the pictorial representations of motion.

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Section: Discussionmentioning

confidence: 99%

Are chimpanzees futurists? Effects of motion lines and motion blur on the judgments of global motion direction in chimpanzees (Pan troglodytes).

Tomonaga,

Imura

2024

Journal of Comparative Psychology

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show abstract

“…The Futurists argued that the world is not a series of static moments but is dynamically changing, and they sought techniques to express such dynamic sensations per se (Boccioni et al, 1910). Do chimpanzees have the ability to recognize the Futurists' motion representations?…”

Section: Discussionmentioning

confidence: 99%

Are chimpanzees Futurists? Effects of motion lines and motion blur on the judgments of global motion direction in chimpanzees (Pan troglodytes)

Tomonaga¹,

Imura²

2023

Preprint

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Based on the invention and development of photography and movie in the 19th century, schools of contemporary art, such as Futurism, have emerged that express the dynamism of motion in painting. Painting techniques such as multiple stroboscopic images, motion blur, and motion lines are culturally-based, but the biological basis of their perception has also been intensively investigated recently. Then what are the evolutionary origins of such pictorial representations of motion? Do nonhuman animals also have sensitivity to such representations? To address this question, we examined the effects of motion blur and motion lines on the judgments of global motion directions in chimpanzees. The results showed that the motion lines biased the chimpanzees' judgments toward the direction of motion implied by them, whereas the effect of the motion blur was either absent or weak (Experiment 1). In Experiment 2, we manipulated the length and number of motion lines to examine the effect of "speed" and "distance" in addition to the motion direction implied by the motion lines. The results showed that the effect of motion lines became stronger as the length and the number of lines increased within a specific range. These results indicate that the motion lines also imply the direction of motion in chimpanzees and provide a clue to the evolutionary basis for the pictorial representations of motion.

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“…Combatiam o culto do "falso" antigo, o arcaísmo superficial e elementar nas pinturas, e o nu na pintura, tão opressor quanto o adultério o era na literatura. Outros manifestos futuristas foram lançados, entre os quais o denominado "Contra Veneza Passadista", de 27 de abril de 1910 (MARINETTI; BOCCIONI; CARRÀ; RUSSOLO, 1910), pelo qual queriam fazer tábula rasa do passado da cidade cheia de canais sujos e edifícios velhos, explorados por pessoas que viviam disso, e transformá-la em uma cidade moderna poderosa, com luz elétrica e pontes metálicas, novos prédios e indústrias. Também se fez o Manifesto Técnico da Literatura Futurista, escrito por Filippo Marinetti (1912), por meio do qual defendia, entre outras coisas, a destruição da sintaxe, o fim dos adjetivos e advérbios, o uso dos verbos apenas no infinitivo, bem como o Manifesto da Música Futurista (PRATELLA, 1980), e o da arte dos ruídos (RUSSOLO, 1916) , 1913).…”

Section: As Vanguardas Artísticas Europeiasunclassified

A Semana de Arte Moderna e o direito brasileiro na década de 1920

Tomasevicius Filho

2023

Rev. Fac. Direito Univ. São Paulo

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O ano de 2022 marcou o bicentenário da independência do Brasil e do centenário da Semana de Arte Moderna, que ocorreu no “Theatro Municipal” de São Paulo. Enquanto em 1922 se refletiu sobre o significado da independência, em 2022 pouco se falou do fato, exceto por força da reinauguração do Museu Paulista, construído no local onde D. Pedro I tomou a decisão de transformar o Brasil em novo Estado. Por sua vez, a Semana de Arte Moderna de 1922 foi comemorada pelo impacto que teria causado na cultura brasileira. Estes eventos, carregados de simbolismos e completados por elementos de memórias afetivas individuais que compõem a memória coletiva dessas efemérides, podem suscitar reflexões sobre os motivos pelos quais não houve um movimento similar no direito. Os objetivos deste artigo são os de resumir o modernismo e em que medida teria ocorrido ou não um modernismo no direito, especialmente, no direito brasileiro, ainda que de forma diversa daquela que ocorreu no campo das artes.

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Manifesto of the Futurist Painters

Cited by 6 publications

References 0 publications

Are chimpanzees futurists? Effects of motion lines and motion blur on the judgments of global motion direction in chimpanzees (Pan troglodytes).

Are chimpanzees futurists? Effects of motion lines and motion blur on the judgments of global motion direction in chimpanzees (Pan troglodytes).

Are chimpanzees Futurists? Effects of motion lines and motion blur on the judgments of global motion direction in chimpanzees (Pan troglodytes)

A Semana de Arte Moderna e o direito brasileiro na década de 1920

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